THE
MAGICALALPHABET
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A
MAZE
IN
ZAZAZA ENTERS AZAZAZ
AZAZAZAZAZAZAZZAZAZAZAZAZAZA
ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ
THE
MAGICALALPHABET
ABCDEFGHIJKLMNOPQRSTUVWXYZZYXWVUTSRQPONMLKJIHGFEDCBA
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BEYOND THE VEIL ANOTHER VEIL ANOTHER VEIL BEYOND
TABLE, MASCULINE, MASCU, LINE |
TABLE, FEMININE, FEMI, NINE |
TABLE, LINE, NINE |
TABLE, NINE, LINE, NILE |
TABLE, MASCULINE, LINE, NINE, FEMININE |
TABLE, THE, HUMAN |
TABLE, ZUG ZWANG, ZUG, ZWANG |
TABLE, CHESS |
TABLE, ALWAYS AND FOREVER, ALWAYS, AND, FOREVER |
TABLE, GODS, OF, ME, ARE, YOU, YOU.ARE, OF, ME, LIVING PHOTONS |
TABLE, GRAVITATIONAL, WEIGHT, MASS |
TABLE, CONUNDRUM, CO, NU, ND, R, UM |
TABLE, GODS, NUMBER |
TABLE, THE, NUMBER, OF, GOD |
TABLE, I, IDENTITY |
TABLE, BRAVE, B, R, A, VE |
TABLE, WATER, WITH, A, TEAR |
TABLE, TEAR, TEARS |
TABLE, TOWER, TOWERS |
TABLE, SELFLESS, SELF, CRUCIFIXION |
TABLE,CRUCIFIXION, C, R, UC, I, F, I, X, I, ON |
TABLE, TONGUE, TIED, TIRED, R |
TABLE, CONVERSATION, CONVERSE |
TABLE, APIS, AP, I, S |
TABLE, APIS, BULL |
TABLE, THE, APIS, BULL |
TABLE, THE APIS BULL, THE APIS BULLS |
TABLE, MIRRORED |
TABLE, MIRRORED, M, I, R, R, O, R, ED |
TABLE, MIRRORED |
TABLE, HERMES, HERPES |
TABLE, ISRAEL, JUDAH |
TABLE, SOLOMON, REHOBOAM |
TABLE, ISRAEL + JUDAH, SOLOMON + REHOBOAM |
TABLE, EPIPHANY |
TABLE, EPIPHANY, EP, I, P, HA, NY |
TABLE, MANIFEST, MANIFESTATION |
TABLE, EPIPHANY, THIRTEEN |
TABLE, DARK, LIGHT |
TABLE, QUANTA, ATUM, QUN, QUANTUM, MECHANICS |
TABLE, AT, REST, IN, MOTION, MOTIONLESS |
TABLE, THE, UNCERTAINTY, PRINCIPLE |
TABLE, SUB, ATOMIC, REAL, PARTICLES, THIRTEEN, VIRTUAL, PARTICLES, |
THIRTEEN |
TABLE, CALCULATIONS, CALCULUS |
TABLE, ABSOLUTE, ZERO |
TABLE, CALCULUS, C, A, L, C, U, L, U, S, CALCULUS, ISAAC NEWTON |
A
HISTORY OF GOD
Karen Armstrong 1993
The God of the Mystics
Page 250
"Perhaps the most famous of the early Jewish mystical texts is the fifth century Sefer Yezirah (The Book of Creation). There is no attempt to describe the creative process realistically;
the account is unashamedly symbolic and shows God creating the world by means of language as though he were writing a book. But language has been entirely transformed and the message of creation is no longer clear. Each letter of the Hebrew alphabet is given a numerical value; by
combining the letters with the sacred numbers, rearranging them in
endless configurations, the mystic weaned his mind away from the normal connotations of words."
Page 250
THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY THE ACCOUNT
IS UNASHAMEDLY SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE AS
THOUGH HE WERE WRITING A BOOK. BUT LANGUAGE HAS BEEN ENTIRELY TRANSFORMED AND THE
MESSAGE OF CREATION IS NO LONGER CLEAR EACH LETTER OF THE HEBREW ALPHABET IS GIVEN
A NUMERICAL VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS REARRANGING
THEM IN ENDLESS CONFIGURATIONS THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL
CONNOTATIONS OF WORDS
THE LIGHT IS RISING NOW RISING IS THE LIGHT
....
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ME |
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1+7 |
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LIGHT AND LIFE
Lars Olof Bjorn 1976
Page 197
"By writing the 26 letters of the alphabet in a certain order one may put down almost any message (this book 'is written with the same letters' as the Encyclopaedia Britannica and Winnie the Pooh, only the order of the letters differs). In the same way Nature is able to convey with her language how a cell and a whole organism is to be constructed and how it is to function. Nature has succeeded better than we humans; for the genetic code there is only one universal language which is the same in a man, a bean plant and a bacterium."
"FOR THE GENETIC CODE THERE IS ONLY ONE UNIVERSAL LANGUAGE"
DNA AND DNA DNA AND DNA DNA AND DNA
DNA AND DNA DNA AND DNA DNA AND DNA
"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER
ONE MAY PUT DOWN ALMOST ANY MESSAGE"
FINGERPRINTS OF THE GODS
A QUEST FOR THE BEGINNING AND THE END
Graham Hancock 1995
Chapter 32
Speaking to the Unborn
Page 285
"It is understandable that a huge range of myths from all over the ancient world should describe geological catastrophes in graphic detail. Mankind survived the horror of the last Ice Age, and the most plausible source for our enduring traditions of flooding and freezing, massive volcanism and devastating earthquakes is in the tumultuous upheavals unleashed during the great meltdown of 15,000 to 8000 BC. The final retreat of the ice sheets, and the consequent 300-400 foot rise in global sea levels, took place only a few thousand years before the beginning of the historical period. It is therefore not surprising that all our early civilizations should have retained vivid memories of the vast cataclysms that had terrified their forefathers.
Much harder to explain is the peculiar but distinctive way the myths of cataclysm seem to bear the intelligent imprint of a guiding hand.l Indeed the degree of convergence between such ancient stories is frequently remarkable enough to raise the suspicion that they must all have been 'written' by the same 'author'.
Could that author have had anything to do with the wondrous deity, or superhuman, spoken of in so many of the myths we have reviewed, who appears immediately after the world has been shattered by a horrifying geological catastrophe and brings comfort and the gifts of civilization to the shocked and demoralized survivors?
White and bearded, Osiris is the Egyptian manifestation of this / Page 286 / universal figure, and it may not be an accident that one of the first acts he is remembered for in myth is the abolition of cannibalism among the primitive inhabitants of the Nile Valley.2 Viracocha, in South America, was said to have begun his civilizing mission immediately after a great flood; Quetzalcoatl, the discoverer of maize, brought the benefits of crops, mathematics, astronomy and a refined culture to Mexico after the Fourth Sun had been overwhelmed by a destroying deluge.
Could these strange myths contain a record of encounters between scattered palaeolithic tribes which survived the last Ice Age and an as yet unidentified high civilization which passed through the same epoch?
And could the myths be attempts to communicate?
A message in the bottle of time
'Of all the other stupendous inventions,' Galileo once remarked,
what sublimity of mind must have been his who conceived how to communicate his most secret thoughts to any other person, though very distant either in time or place, speaking with those who are in the Indies, speaking to those who are not yet born, nor shall be this thousand or ten thousand years? And with no greater difficulty than the various arrangements of two dozen little signs on paper? Let this be the seal of all the admirable inventions of men.3
If the 'precessional message' identified by scholars like Santillana, von Dechend and Jane Sellers is indeed a deliberate attempt at communication by some lost civilization of antiquity, how come it wasn't just written down and left for us to find? Wouldn't that have been easier than encoding it in myths? Perhaps.
Nevertheless, suppose that whatever the message was written on got destroyed or worn away after many thousands of years? Or suppose that the language in which it was inscribed was later forgotten utterly (like the enigmatic Indus Valley script, which has been studied closely for more than half a century but has so far resisted all attempts at decoding)? It must be obvious that in such circumstances a written / Page 287 / legacy to the future would be of no value at all, because nobody would be able to make sense of it.
What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them - and the city of Teotihuacan may be the calling-card of a lost civilization written in the eternal language of mathematics.
Geodetic data, related to the exact positioning of fixed geographical points and to the shape and size of the earth, would also remain valid and recognizable for tens of thousands of years, and might be most conveniently expressed by means of cartography (or in the construction of giant geodetic monuments like the Great Pyramid of Egypt, as
we shall see).
Another 'constant' in our solar system is the language of time: the great but regular intervals of time calibrated by the inch-worm creep of precessional motion. Now, or ten thousand years in the future, a message that prints out numbers like 72 or 2160 or 4320or 25,920 should be instantly intelligible to any civilization that has evolved a modest talent for mathematics and the ability to detect and measure the almost imperceptible reverse wobble that the sun appears to make along the ecliptic against the background of the fixed stars..."
"What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them"
"WRITTEN IN THE ETERNAL LANGUAGE OF MATHEMATICS"
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5 |
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7 |
8 |
9 |
1 |
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3 |
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7 |
8 |
9 |
1 |
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4 |
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7 |
8 |
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THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY
THE ACCOUNT IS SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE
AS THOUGH WRITING A BOOK BUT LANGUAGE ENTIRELY TRANSFORMED
THE MESSAGE OF CREATION IS CLEAR EACH LETTER OF
THE
ALPHABET
IS
GIVEN
A
NUMERICAL
VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS
REARRANGING THEM IN ENDLESS CONFIGURATIONS
THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL CONNOTATIONS OF WORDS
....
THE DEATH OF GODS IN ANCIENT EGYPT
Jane B. Sellars 1992
Page 204
"The overwhelming awe that accompanies the realization, of the measurable orderliness of the universe strikes modern man as well. Admiral Weiland E. Byrd, alone In the Antarctic for five months of polar darkness, wrote these phrases of intense feeling:
Here were the imponderable processes and forces of the cosmos, harmonious and soundless. Harmony, that was it! I could feel no doubt of oneness with the universe. The conviction came that the rhythm was too orderly. too harmonious, too perfect to be a product of blind chance - that, therefore there must be purpose in the whole and that man was part of that whole and not an accidental offshoot. It was a feeling that transcended reason; that went to the heart of man's despair and found it groundless. The universe was a cosmos, not a chaos; man was as rightfully a part of that cosmos as were the day and night.10
Returning to the account of the story of Osiris, son of Cronos god of' Measurable Time, Plutarch takes, pains to remind the reader of the original Egyptian year consisting of 360 days.
Phrases are used that prompt simple mental. calculations and an attention to numbers, for example, the 360-day year is described as being '12 months of 30 days each'. Then we are told that, Osiris leaves on a long journey, during which Seth, his evil brother, plots with 72 companions to slay Osiris: He also secretly obtained the measure of Osiris and made ready a chest in which to entrap him.
The, interesting thing about this part of the-account is that nowhere in the original texts of the Egyptians are we told that Seth, has 72 companions. We have already been encouraged to equate Osiris with the concept of measured time; his father being Cronos. It is also an observable fact that Cronos-Saturn has the longest sidereal period of the known planets at that time, an orbit. of 30 years. Saturn is absent from a specific constellation for that length of time.
A simple mathematical fact has been revealed to any that are even remotely sensitive to numbers: if you multiply 72 by 30, the years of Saturn's absence (and the mention of Osiris's absence prompts one to recall this other), the resulting product is 2,160: the number of years required, for one 30° shift, or a shift: through one complete sign of the zodiac. This number multplied by the / Page205 / 12 signs also gives 25,920. (And Plutarch has reminded us of 12)
If you multiply the unusual number 72 by 360, a number that Plutarch mentions several times, the product will be 25,920, again the number of years symbolizing the ultimate rebirth.
This 'Eternal Return' is the return of, say, Taurus to the position of marking the vernal equinox by 'riding in the solar bark with. Re' after having relinquished this honoured position to Aries, and subsequently to the to other zodiacal constellations.
Such a return after 25,920 years is indeed a revisit to a Golden Age, golden not only because of a remarkable symmetry In the heavens, but golden because it existed before the Egyptians experienced heaven's changeability.
But now to inform the reader of a fact he or she may already know. Hipparaus did: not really have the exact figures: he was a
trifle off in his observations and calculations. In his published work, On the Displacement of the Solstitial and Equinoctial Signs, he
gave figures of 45" to 46" a year, while the truer precessional
lag along the ecliptic is about 50 seconds. The exact measurement for the lag, based on the correct annual lag of 50'274" is 1° in 71.6 years, or 360° in 25,776 years, only 144 years less
than the figure of 25,920.
With Hipparchus's incorrect figures a 'Great Year' takes from 28,173.9 to 28,800 years, incorrect by a difference of from 2,397.9 years to 3,024.
Since Nicholas Copernicus (AD 1473-1543) has always been credited with giving the correct numbers (although Arabic astronomer Nasir al-Din Tusi,11 born AD 1201, is known to have fixed the Precession at 50°), we may correctly ask, and with justifiable astonishment 'Just whose information was Plutarch transmitting'
AN IMPORTANT POSTSCRIPT
Of course, using our own notational system, all the important numbers have digits that reduce to that amazing number 9 a number that has always delighted budding mathematician.
Page 206
Somewhere along the way, according to Robert Graves, 9 became the number of lunar wisdom.12
This number is found often in the mythologies of the world. the Viking god Odin hung for nine days and nights on the World Tree in order to acquire the secret of the runes, those magic symbols out of which writing and numbers grew. Only a terrible sacrifice would give away this secret, which conveyed upon its owner power and dominion over all, so Odin hung from his neck those long 9 days and nights over the 'bottomless abyss'. In the tree were 9 worlds, and another god was said to have been born of 9 mothers.
Robert Graves, in his White Goddess, Is intrigued by the seemingly recurring quality of the number 72 in early myth and ritual. Graves tells his reader that 72 is always connected with the number 5, which reflects, among other things, the five Celtic dialects that he was investigating. Of course, 5 x 72= 360, 360 x 72= 25,920. Five is also the number of the planets known to the ancient world, that is, Saturn, Jupiter, Mars, Venus Mercury.
Graves suggests a religious mystery bound up with two ancient Celtic 'Tree Alphabets' or cipher alphabets, which as genuine articles of Druidism were orally preserved and transmitted for centuries. He argues convincingly that the ancient poetry of Europe
was ultimately based on what its composers believed to be magical principles, the rudiments of which formed a close religious secret for centuries. In time these were-garbled, discredited and forgotten.
Among the many signs of the transmission of special numbers he points out that the aggregate number of letter strokes for the complete 22-letter Ogham alphabet that he is studying is 72 and that this number is the multiple of 9, 'the number of lunar wisdom'. . . . he then mentions something about 'the seventy day season during which Venus moves successively from. maximum eastern elongation 'to inferior conjunction and maximum western elongation'.13
Page 207
"...Feniusa Farsa, Graves equates this hero with Dionysus. Farsa has 72 assistants who helped him master the 72 languages created at the confusion of Babel, the tower of which is said to be built of 9 different materials
We are also reminded of the miraculous translation into Greek of the Five Books of Moses that was done by 72 scholars working for 72 days, Although the symbol for the Septuagint is LXX, legend, according to the fictional letter of Aristeas, records 72. The translation was done for Ptolemy Philadelphus (c.250 BC), by Hellenistic Jews, possibly from Alexandra.14
Graves did not know why this number was necessary, but he points out that he understands Frazer's Golden Bough to be a book hinting that 'the secret involves the truth that the Christian
dogma, and rituals, are the refinement of a great body of
primitive beliefs, and that the only original element in Christianity- is the personality of Christ.15
Frances A. Yates, historian of Renaissance hermetisma tells, us
the cabala had 72 angels through which the sephiroth (the powers
of God) are believed to be approached, and further, she supplies the information that although the Cabala supplied a set of 48 conclusions purporting to confirm the Christian religion from the foundation of ancient wisdom, Pico Della Mirandola, a Renaissance magus, introduced instead 72, which were his 'own opinion' of the correct number. Yates writes, 'It is no accident
there are seventy-two of Pico's Cabalist conclusions, for the conclusion shows that he knew something of the mystery of the Name of God with seventy-two letters.'16
In Hamlet's Mill de Santillana adds the facts that 432,000 is the number of syllables in the Rig-Veda, which when multiplied by the soss (60) gives 25,920" (The reader is forgiven for a bit of laughter at this point)
The Bible has not escaped his pursuit. A prominent Assyriologist of the last century insisted that the total of the years recounted mounted in Genesis for the lifetimes of patriarchs from
the Flood also contained the needed secret numbers. (He showed that in the 1,656 years recounted in the Bible there are 86,400 7 day weeks, and dividing this number yields / Page 208 / 43,200.) In Indian yogic schools it is held that all living beings exhale and inhale 21,600 times a day, multiply this by 2 and again we have the necessary 432 digits.
Joseph Campbell discerns the secret in the date set for the coming of Patrick to Ireland. Myth-gives this date-as-the interesting number of AD.432.18
Whatever one may think-of some of these number coincidences, it becomes difficult to escape the suspicion that many signs (number and otherwise) - indicate that early man observed the results of the movement of Precession and that the - transmission of this information was considered of prime importance.
With the awareness of the phenomenon, observers would certainly have tried for its measure, and such an endeavour would have constituted the construction-of a 'Unified Field Theory' for nothing less than Creation itself. Once determined, it would have been information worthy of secrecy and worthy of the passing on to future adepts.
But one last word about mankind's romance with number coincidences.The antagonist in John Updike's novel, Roger's Version, is a computer hacker, who, convinced, that scientific evidence of God's existence is accumulating, endeavours to prove it by feeding -all the available scientific information. into a comuter. In his search for God 'breaking, through', he has become fascinated by certain numbers that have continually been cropping up. He explains them excitedly as 'the terms of Creation':
"...after a while I noticed that all over the sheet there seemed to hit these twenty-fours Jumping out at me. Two four; two, four. Planck time, for instance, divided by the radiation constant yields a figure near eight times ten again to the negative twenty-fourth, and the permittivity of free space, or electric constant, into the Bohr radius ekla almost exactly six times ten to the negative twenty-fourth. On positive side, the electromagnetic line-structure constant times Hubble radius - that is, the size of the universe as we now perceive it gives us something quite close to ten to the twenty-fourth, and the strong-force constant times the charge on the proton produces two point four times ten to the negative eighteenth, for another I began to circle twenty-four wherever it appeared on the Printout here' - he held it up his piece of stripped and striped wallpaper, decorated / Page 209 /
with a number of scarlet circles - 'you can see it's more than random.'19
This inhabitant of the twentieth century is convinced that the striking occurrences of 2 and 4 reveal the sacred numbers by which God is speaking to us.
So much for any scorn directed to ancient man's fascination with number coincidences. That fascination is alive and well, Just a bit more incomprehensible"
NUMBER
9
THE SEARCH FOR THE SIGMA CODE
Cecil Balmond 1998
Cycles and Patterns
Page 165
Patterns
"The essence of mathematics is to look for patterns.
Our minds seem to be organised to search for relationships and sequences. We look for hidden orders.
These intuitions seem to be more important than the facts themselves, for there is always the thrill at finding something, a pattern, it is a discovery - what was unknown is now revealed. Imagine looking up at the stars and finding the zodiac!
Searching out patterns is a pure delight.
Suddenly the counters fall into place and a connection is found, not necessarily a geometric one, but a relationship between numbers, pictures of the mind, that were not obvious before. There is that excitement of finding order in something that was otherwise hidden.
And there is the knowledge that a huge unseen world lurks behind the facades we see of the numbers themselves."
....
THE LIGHT IS RISING NOW RISING IS THE LIGHT
THE MAGIC MOUNTAIN
Thomas Mann 1875-1955
Page 466
"Had not the normal, since time was, lived on the achievements of the abnormal? Men consciously and voluntarily descended into disease and madness, in search of knowledge which, acquired by fanaticism, would lead back to health; after the possession and use of it had ceased to be conditioned by that heroic and abnormal act of sacrifice. That was the true death on the cross, the true Atonement."
THE TRUE DEATH ON THE CROSS THE TRUE AT ONE MENT
ATONEMENT
- |
- |
- |
- |
A |
- |
- |
- |
- |
- |
- |
- |
- |
T |
- |
- |
- |
- |
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- |
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- |
- |
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A |
T |
O |
N |
E |
M |
E |
N |
T |
- |
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M |
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E |
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- |
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N |
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- |
- |
- |
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- |
- |
- |
T |
- |
- |
- |
- |
6 |
CORPUS |
92 |
29 |
2 |
10 |
HERMETICUM |
115 |
52 |
7 |
16 |
Add to Reduce |
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|
Reduce to Deduce |
2+0+7 |
8+1 |
- |
7 |
Essence of Number |
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- |
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- |
6 |
- |
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- |
1 |
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8 |
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9 |
- |
- |
- |
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2+4 |
= |
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- |
15 |
- |
- |
- |
19 |
- |
8 |
- |
- |
- |
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9 |
- |
- |
- |
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5+1 |
= |
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- |
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3 |
- |
9 |
7 |
3 |
- |
- |
- |
5 |
9 |
4 |
5 |
2 |
- |
3 |
3 |
4 |
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5+7 |
= |
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1+2 |
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3 |
- |
18 |
16 |
21 |
- |
- |
- |
5 |
18 |
13 |
5 |
20 |
- |
3 |
21 |
13 |
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1+5+6 |
= |
|
1+2 |
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S |
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H |
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- |
- |
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3 |
15 |
18 |
16 |
21 |
19 |
- |
8 |
5 |
18 |
13 |
5 |
20 |
9 |
3 |
21 |
13 |
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2+0+7 |
= |
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3 |
6 |
9 |
7 |
3 |
1 |
- |
8 |
5 |
9 |
4 |
5 |
2 |
9 |
3 |
3 |
4 |
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8+1 |
= |
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O |
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- |
- |
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- |
- |
- |
- |
- |
- |
1 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
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|
occurs |
x |
|
= |
1 |
= |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
-- |
2 |
- |
- |
- |
|
- |
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|
occurs |
x |
|
= |
2 |
= |
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- |
3 |
- |
- |
- |
3 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
3 |
3 |
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|
occurs |
x |
|
= |
12 |
1+2 |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
4 |
- |
- |
- |
- |
- |
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occurs |
x |
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= |
8 |
= |
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- |
- |
- |
- |
- |
- |
- |
- |
- |
5 |
- |
- |
5 |
- |
- |
- |
- |
|
- |
- |
|
occurs |
x |
|
= |
10 |
1+0 |
|
- |
- |
6 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
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|
occurs |
x |
|
= |
6 |
|
|
- |
- |
- |
- |
7 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
- |
- |
|
occurs |
x |
|
= |
7 |
|
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- |
- |
- |
- |
- |
- |
- |
- |
8 |
- |
- |
- |
- |
- |
- |
- |
- |
|
- |
- |
|
occurs |
x |
|
= |
8 |
= |
|
- |
- |
- |
9 |
- |
- |
- |
- |
- |
- |
9 |
- |
- |
- |
9 |
- |
- |
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- |
- |
|
occurs |
x |
|
= |
27 |
2+7 |
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P |
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H |
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M |
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T |
I |
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- |
9 |
/ |
- |
- |
- |
- |
- |
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- |
- |
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- |
- |
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|
4+5 |
- |
- |
1+6 |
- |
8+1 |
- |
4+5 |
|
C |
O |
R |
P |
U |
S |
- |
H |
E |
R |
M |
E |
T |
I |
C |
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M |
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9 |
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- |
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- |
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8 |
SQUARING |
106 |
52 |
7 |
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- |
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7 |
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3 |
THE |
33 |
15 |
6 |
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- |
- |
6- |
- |
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6 |
CIRCLE |
50 |
32 |
5 |
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6 |
|
17 |
First Total |
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|
1+7 |
Add to Reduce |
1+8+9 |
9+9 |
1+8 |
|
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|
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|
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|
6 |
|
8 |
Second Total |
|
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|
- |
|
|
Reduce to Deduce |
1+8 |
1+8 |
|
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6 |
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|
Essence of Number |
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8 |
SQUARING |
106 |
52 |
7 |
|
|
- |
|
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|
7 |
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|
3 |
THE |
33 |
15 |
6 |
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- |
- |
6- |
- |
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|
6 |
CIRCLE |
50 |
32 |
5 |
|
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|
6 |
|
17 |
First Total |
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1 |
1 |
|
19 |
10 |
|
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|
2 |
1 |
|
17 |
8 |
|
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|
3 |
1 |
|
21 |
3 |
|
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|
4 |
1 |
|
1 |
1 |
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|
5 |
1 |
|
18 |
9 |
|
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6 |
1 |
|
9 |
9 |
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|
7 |
1 |
|
14 |
5 |
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|
8 |
1 |
|
7 |
7 |
|
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|
9 |
1 |
|
20 |
2 |
|
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|
10 |
1 |
|
8 |
8 |
|
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|
11 |
1 |
|
5 |
5 |
|
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|
12 |
1 |
|
3 |
3 |
|
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|
|
13 |
1 |
|
9 |
9 |
|
|
|
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|
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|
|
|
|
14 |
1 |
|
18 |
9 |
|
|
|
|
|
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|
|
15 |
1 |
|
3 |
3 |
|
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|
|
|
|
|
|
|
|
|
|
|
16 |
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
17 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+2 |
|
1+5 |
|
|
1+6 |
3+6 |
|
|
|
|
8 |
SQUARING |
106 |
52 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
CIRCLE |
50 |
32 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
17 |
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+6 |
Add to Reduce |
1+8+9 |
9+9 |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
9 |
|
8 |
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
Reduce to Deduce |
1+8 |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
SQUARING |
106 |
52 |
7 |
|
|
- |
|
|
|
|
7 |
|
|
|
|
|
|
3 |
THE |
33 |
15 |
6 |
|
|
|
|
- |
- |
6- |
- |
|
|
|
|
|
|
6 |
CIRCLE |
50 |
32 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
17 |
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
17 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
17 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+2 |
|
1+5 |
|
|
1+6 |
3+6 |
|
|
|
|
8 |
SQUARING |
106 |
52 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
CIRCLE |
50 |
32 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
17 |
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+6 |
Add to Reduce |
1+8+9 |
9+9 |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
9 |
|
8 |
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
Reduce to Deduce |
1+8 |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
SQUARING |
106 |
52 |
7 |
|
|
- |
|
|
7 |
|
|
|
|
|
|
3 |
THE |
33 |
15 |
6 |
|
|
|
|
- |
- |
|
|
|
|
|
|
6 |
CIRCLE |
50 |
32 |
5 |
|
|
|
|
|
|
|
|
|
|
6 |
|
17 |
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
9 |
1 |
|
20 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
21 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
15 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
16 |
1 |
|
12 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
17 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
10 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
17 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
13 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
14 |
1 |
|
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+2 |
1+5 |
|
1+6 |
3+6 |
|
|
|
|
8 |
SQUARING |
106 |
52 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
3 |
THE |
33 |
15 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
6 |
CIRCLE |
50 |
32 |
5 |
|
|
|
|
|
|
|
|
|
|
6 |
|
17 |
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+6 |
Add to Reduce |
1+8+9 |
9+9 |
1+8 |
|
|
|
|
|
|
|
|
|
|
9 |
|
8 |
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
Reduce to Deduce |
1+8 |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
9 |
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
OUT OF ZERO COMETH ONE
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
0 |
- |
Z |
= |
8 |
- |
4 |
|
64 |
28 |
1 |
|
|
|
|
|
|
|
|
|
|
1 |
- |
O |
= |
6 |
- |
3 |
|
34 |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
2 |
- |
T |
= |
2 |
- |
3 |
|
58 |
13 |
4 |
|
|
|
|
|
|
|
|
|
|
3 |
- |
T |
= |
2 |
- |
5 |
|
56 |
29 |
2 |
|
|
|
|
|
|
|
|
|
|
4 |
- |
F |
= |
6 |
- |
4 |
|
60 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
5 |
- |
F |
= |
6 |
- |
4 |
|
42 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
6 |
- |
S |
= |
1 |
- |
3 |
|
52 |
16 |
7 |
|
|
|
|
|
|
|
|
|
|
7 |
- |
S |
= |
1 |
- |
5 |
|
65 |
20 |
2 |
|
|
|
|
|
|
|
|
|
|
8 |
- |
E |
= |
5 |
- |
5 |
|
49 |
31 |
4 |
|
|
|
|
4 |
|
|
|
|
|
9 |
- |
N |
= |
5 |
- |
4 |
|
42 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
45 |
|
- |
- |
42 |
- |
40 |
Add |
|
|
|
|
|
|
|
|
|
|
|
|
|
4+5 |
|
|
|
4+2 |
|
4+0 |
Reduce |
5+2+2 |
2+2+5 |
4+5 |
|
|
|
|
|
|
1+8 |
1+4 |
|
|
9 |
- |
|
|
|
|
|
Deduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
0 |
- |
Z |
= |
8 |
- |
4 |
|
64 |
28 |
1 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
1 |
- |
O |
= |
6 |
- |
3 |
|
34 |
16 |
7 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
2 |
- |
T |
= |
2 |
- |
3 |
|
58 |
13 |
4 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
3 |
- |
T |
= |
2 |
- |
5 |
|
56 |
29 |
2 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
4 |
- |
F |
= |
6 |
- |
4 |
|
60 |
24 |
6 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
5 |
- |
F |
= |
6 |
- |
4 |
|
42 |
24 |
6 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
6 |
- |
S |
= |
1 |
- |
3 |
|
52 |
16 |
7 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
7 |
- |
S |
= |
1 |
- |
5 |
|
65 |
20 |
2 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
8 |
- |
E |
= |
5 |
- |
5 |
|
49 |
31 |
4 |
|
|
|
3 |
4 |
5 |
|
|
8 |
9 |
9 |
- |
N |
= |
5 |
- |
4 |
|
42 |
24 |
6 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
45 |
|
- |
- |
42 |
- |
40 |
Add |
|
|
|
|
|
|
|
|
|
|
|
|
|
4+5 |
|
|
|
4+2 |
|
4+0 |
Reduce |
5+2+2 |
2+2+5 |
4+5 |
|
|
|
|
|
|
1+8 |
1+4 |
|
|
9 |
- |
|
|
|
|
|
Deduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
0 |
- |
Z |
= |
8 |
- |
4 |
|
64 |
28 |
1 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
3 |
- |
T |
= |
2 |
- |
5 |
|
56 |
29 |
2 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
7 |
- |
S |
= |
1 |
- |
5 |
|
65 |
20 |
2 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
2 |
- |
T |
= |
2 |
- |
3 |
|
58 |
13 |
4 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
8 |
- |
E |
= |
5 |
- |
5 |
|
49 |
31 |
4 |
|
|
|
3 |
4 |
5 |
|
|
8 |
9 |
4 |
- |
F |
= |
6 |
- |
4 |
|
60 |
24 |
6 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
5 |
- |
F |
= |
6 |
- |
4 |
|
42 |
24 |
6 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
9 |
- |
N |
= |
5 |
- |
4 |
|
42 |
24 |
6 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
1 |
- |
O |
= |
6 |
- |
3 |
|
34 |
16 |
7 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
6 |
- |
S |
= |
1 |
- |
3 |
|
52 |
16 |
7 |
|
|
|
3 |
|
5 |
|
|
8 |
9 |
45 |
|
- |
- |
42 |
- |
40 |
Add |
|
|
|
|
|
|
|
|
|
|
|
|
|
4+5 |
|
|
|
4+2 |
|
4+0 |
Reduce |
5+2+2 |
2+2+5 |
4+5 |
|
|
|
|
|
|
1+8 |
1+4 |
|
|
9 |
- |
|
|
|
|
|
Deduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
0 |
- |
Z |
= |
8 |
- |
4 |
|
64 |
28 |
1 |
|
|
|
|
|
|
3 |
- |
T |
= |
2 |
- |
5 |
|
56 |
29 |
2 |
|
|
|
|
|
|
7 |
- |
S |
= |
1 |
- |
5 |
|
65 |
20 |
2 |
|
|
|
|
|
|
2 |
- |
T |
= |
2 |
- |
3 |
|
58 |
13 |
4 |
|
|
|
|
|
|
8 |
- |
E |
= |
5 |
- |
5 |
|
49 |
31 |
4 |
|
|
|
4 |
|
|
4 |
- |
F |
= |
6 |
- |
4 |
|
60 |
24 |
6 |
|
|
|
|
|
|
5 |
- |
F |
= |
6 |
- |
4 |
|
42 |
24 |
6 |
|
|
|
|
|
|
9 |
- |
N |
= |
5 |
- |
4 |
|
42 |
24 |
6 |
|
|
|
|
|
|
1 |
- |
O |
= |
6 |
- |
3 |
|
34 |
16 |
7 |
|
|
|
|
|
|
6 |
- |
S |
= |
1 |
- |
3 |
|
52 |
16 |
7 |
|
|
|
|
|
|
45 |
|
- |
- |
42 |
- |
40 |
Add |
|
|
|
|
|
|
|
|
|
4+5 |
|
|
|
4+2 |
|
4+0 |
Reduce |
5+2+2 |
2+2+5 |
4+5 |
|
|
|
|
1+8 |
1+4 |
9 |
- |
|
|
|
|
|
Deduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
0 |
- |
Z |
= |
8 |
1 |
4 |
|
64 |
28 |
1 |
|
|
|
|
|
|
|
|
|
|
1 |
- |
F |
= |
6 |
2 |
5 |
|
72 |
27 |
9 |
|
|
|
|
|
|
|
|
|
|
2 |
- |
S |
= |
1 |
3 |
6 |
|
60 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
3 |
- |
T |
= |
2 |
4 |
5 |
|
59 |
32 |
5 |
|
|
|
|
|
5 |
|
|
|
|
4 |
- |
F |
= |
6 |
5 |
6 |
|
88 |
34 |
7 |
|
|
|
|
|
|
|
|
|
|
5 |
- |
F |
= |
6 |
6 |
5 |
|
49 |
31 |
4 |
|
|
|
|
4 |
|
|
|
|
|
6 |
- |
S |
= |
1 |
7 |
5 |
|
80 |
26 |
8 |
|
|
|
|
|
|
|
|
|
|
7 |
- |
S |
= |
1 |
8 |
7 |
|
93 |
30 |
3 |
|
|
|
3 |
|
|
|
|
|
|
8 |
- |
E |
= |
5 |
9 |
6 |
|
57 |
39 |
3 |
|
|
|
3 |
|
|
|
|
|
|
9 |
- |
N |
= |
5 |
10 |
5 |
|
65 |
29 |
2 |
|
|
|
|
|
|
|
|
|
|
45 |
|
- |
- |
41 |
- |
54 |
Add |
|
|
|
|
|
|
|
|
|
|
|
|
|
4+5 |
|
|
|
4+1 |
|
5+4 |
Reduce |
6+8+7 |
3+0+0 |
4+8 |
|
|
|
|
|
|
|
|
|
|
9 |
- |
|
|
|
|
|
Deduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce |
2+1 |
|
1+2 |
|
|
|
|
|
|
|
|
|
|
9 |
- |
|
|
|
|
|
Essence |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
0 |
- |
Z |
= |
8 |
1 |
4 |
|
64 |
28 |
1 |
|
|
|
|
|
|
|
|
|
|
9 |
- |
N |
= |
5 |
10 |
5 |
|
65 |
29 |
2 |
|
|
|
|
|
|
|
|
|
|
7 |
- |
S |
= |
1 |
8 |
7 |
|
93 |
30 |
3 |
|
|
|
3 |
|
|
|
|
|
|
8 |
- |
E |
= |
5 |
9 |
6 |
|
57 |
39 |
3 |
|
|
|
3 |
|
|
|
|
|
|
5 |
- |
F |
= |
6 |
6 |
5 |
|
49 |
31 |
4 |
|
|
|
|
4 |
|
|
|
|
|
3 |
- |
T |
= |
2 |
4 |
5 |
|
59 |
32 |
5 |
|
|
|
|
|
5 |
|
|
|
|
2 |
- |
S |
= |
1 |
3 |
6 |
|
60 |
24 |
6 |
|
|
|
|
|
|
|
|
|
|
4 |
- |
F |
= |
6 |
5 |
6 |
|
88 |
34 |
7 |
|
|
|
|
|
|
|
|
|
|
6 |
- |
S |
= |
1 |
7 |
5 |
|
80 |
26 |
8 |
|
|
|
|
|
|
|
|
|
|
1 |
- |
F |
= |
6 |
2 |
5 |
|
72 |
27 |
9 |
|
|
|
|
|
|
|
|
|
|
45 |
|
- |
- |
41 |
- |
54 |
Add |
|
|
|
|
|
|
|
|
|
|
|
|
|
4+5 |
|
|
|
4+1 |
|
5+4 |
Reduce |
6+8+7 |
3+0+0 |
4+8 |
|
|
|
|
|
|
|
|
|
|
9 |
- |
|
|
|
|
|
Deduce |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce |
2+1 |
|
1+2 |
|
|
|
|
|
|
|
|
|
|
9 |
- |
|
|
|
|
|
Essence |
|
|
|
|
|
|
|
|
|
|
|
|
|
NUMBERS RE-ARRANGED IN NUMERICAL ORDER
- |
CYLINDER |
- |
- |
- |
3 |
|
40 |
13 |
|
1 |
|
9 |
9 |
|
1 |
|
14 |
5 |
|
2 |
|
9 |
9 |
|
1 |
|
18 |
9 |
|
|
CYLINDER |
|
|
|
|
- |
8+1 |
3+6 |
2+7 |
|
CYLINDER |
|
|
|
- |
THE RAINBOW LIGHT |
|
|
|
|
THE |
33 |
15 |
|
|
RAINBOW |
82 |
37 |
|
|
LIGHT |
56 |
29 |
|
15 |
THE RAINBOW LIGHT |
171 |
81 |
9 |
1+5 |
- |
1+7+1 |
8+1 |
- |
6 |
THE RAINBOW LIGHT |
9 |
9 |
9 |
9 |
MASCULINE |
97 |
34 |
7 |
|
M+A+S+C+U |
57 |
12 |
|
|
L+I+N+E |
40 |
22 |
|
8 |
FEMININE |
75 |
48 |
3 |
|
F+E+M+I |
33 |
24 |
|
|
N+I+N+E |
42 |
24 |
|
4 |
LINE |
40 |
22 |
4 |
4 |
NINE |
42 |
24 |
6 |
8 |
|
|
|
|
|
|
8+2 |
4+6 |
1+0 |
8 |
|
|
|
|
|
|
1+0 |
1+0 |
- |
8 |
|
1 |
1 |
1 |
4 |
NINE |
42 |
24 |
6 |
4 |
LINE |
40 |
22 |
4 |
4 |
NILE |
40 |
22 |
4 |
9 |
MASCULINE |
- |
- |
- |
|
LINE |
40 |
22 |
|
|
NINE |
42 |
24 |
|
8 |
FEMININE |
- |
- |
- |
3 |
THE |
33 |
15 |
6 |
5 |
HUMAN |
57 |
21 |
3 |
8 |
|
|
|
|
|
|
9+0 |
3+6 |
- |
8 |
|
|
|
|
- |
ZUG ZWANG |
|
|
- |
|
ZUG |
54 |
18 |
|
|
ZWANG |
71 |
26 |
|
8 |
ZUG ZWANG |
125 |
44 |
17 |
- |
- |
1+2+5 |
4+4 |
1+7 |
8 |
ZUG ZWANG |
8 |
8 |
8 |
|
C |
H |
E |
S |
S |
|
|
|
|
|
|
|
- |
|
3 |
8 |
5 |
19 |
19 |
|
|
|
|
= |
|
|
|
|
3 |
8 |
5 |
1 |
1 |
|
|
|
|
= |
|
|
|
|
C |
H |
E |
S |
S |
|
|
|
|
|
|
|
- |
|
|
|
|
|
1 |
|
|
|
occurs |
x |
|
= |
2 |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
3 |
|
|
9 |
|
|
|
|
|
|
occurs |
x |
|
= |
5 |
|
|
8 |
|
|
|
|
|
|
occurs |
x |
|
= |
8 |
|
C |
H |
E |
S |
S |
|
|
17 |
|
|
|
|
|
- |
9 |
- |
- |
- |
- |
- |
- |
1+7 |
- |
- |
- |
- |
1+8 |
|
C |
H |
E |
S |
S |
|
|
8 |
|
|
|
|
|
CHESS 54 CHESS
PLATO 64 PLATO
- |
ALWAYS AND FOREVER |
- |
- |
1+8 |
|
ALWAYS |
81 |
18 |
|
|
AND |
19 |
10 |
|
|
FOREVER |
89 |
44 |
|
16 |
|
189 |
72 |
18 |
1+6 |
|
1+8+9 |
7+2 |
1+8 |
7 |
|
18 |
9 |
9 |
- |
|
1+8 |
- |
1+8 |
7 |
|
9 |
9 |
9 |
3 |
GODS |
45 |
18 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
2 |
OF |
21 |
12 |
3 |
2 |
ME |
18 |
9 |
9 |
3 |
ARE |
24 |
15 |
6 |
3 |
YOU |
61 |
16 |
7 |
3 |
YOU |
61 |
16 |
7 |
3 |
ARE |
24 |
15 |
6 |
2 |
OF |
21 |
12 |
3 |
2 |
ME |
18 |
9 |
9 |
|
|
|
|
|
|
|
2+4+8 |
1+0+4 |
5+0 |
|
|
|
|
|
|
|
1+4 |
- |
- |
- |
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
|
|
|
|
|
6 |
LIVING |
73 |
37 |
1 |
7 |
PHOTONS |
107 |
35 |
8 |
|
|
|
|
|
|
|
1+8+0 |
7+2 |
- |
|
|
|
|
|
12 |
GRAVITATIONAL |
149 |
59 |
5 |
6 |
WEIGHT |
72 |
36 |
9 |
4 |
MASS |
52 |
25 |
7 |
9 |
CONUNDRUM |
- |
- |
- |
|
C+O |
18 |
9 |
|
|
N+U |
35 |
8 |
|
|
N+D |
18 |
9 |
|
|
R |
18 |
9 |
|
|
U+M |
34 |
7 |
|
9 |
CONUNDRUM |
123 |
42 |
42 |
- |
- |
1+2+3 |
4+2 |
4+2 |
9 |
CONUNDRUM |
6 |
6 |
6 |
4 |
GODS |
45 |
18 |
9 |
6 |
NUMBER |
73 |
28 |
1 |
10 |
|
|
|
|
|
|
1+1+8 |
4+6 |
1+0 |
1 |
|
|
|
|
|
|
1+0 |
1+0 |
- |
1 |
|
1 |
1 |
1 |
3 |
THE |
33 |
15 |
6 |
6 |
NUMBER |
73 |
28 |
1 |
2 |
OF |
21 |
12 |
3 |
3 |
GOD |
26 |
17 |
8 |
14 |
|
|
|
|
|
|
1+5+3 |
7+2 |
1+8 |
5 |
|
|
|
|
GIORDANO BRUNO = 153 - 72 - 9
1 |
I |
9 |
9 |
9 |
8 |
IDENTITY |
106 |
43 |
7 |
5 |
BRAVE |
- |
- |
- |
|
B |
2 |
2 |
|
|
R |
18 |
9 |
|
|
A |
1 |
1 |
|
|
V+E |
27 |
9 |
|
5 |
BRAVE |
48 |
21 |
21 |
- |
- |
4+8 |
2+1 |
2+1 |
5 |
BRAVE |
12 |
3 |
3 |
- |
- |
1+2 |
- |
- |
5 |
BRAVE |
3 |
3 |
3 |
5 |
WATER |
67 |
22 |
4 |
4 |
WITH |
60 |
24 |
6 |
1 |
A |
1 |
1 |
1 |
4 |
TEAR |
44 |
17 |
8 |
4 |
TEAR |
44 |
17 |
8 |
5 |
TEARS |
63 |
18 |
9 |
5 |
TOWER |
81 |
27 |
9 |
6 |
TOWERS |
100 |
28 |
1 |
8 |
SELFLESS |
97 |
25 |
7 |
4 |
SELF |
42 |
15 |
6 |
11 |
CRUCIFIXION |
131 |
68 |
5 |
11 |
CRUCIFIXION |
- |
- |
- |
|
C |
3 |
3 |
|
|
R |
18 |
9 |
|
|
U+C |
24 |
6 |
|
|
I |
9 |
9 |
|
|
F |
6 |
6 |
|
|
I |
9 |
9 |
|
|
X |
24 |
6 |
|
|
I |
9 |
9 |
|
|
O+N |
29 |
11 |
|
11 |
CRUCIFIXION |
- |
- |
- |
6 |
TONGUE |
82 |
28 |
1 |
4 |
TIED |
- |
- |
- |
5 |
TIRED |
56 |
29 |
2 |
1 |
R |
18 |
9 |
9 |
12 |
CONVERSATION |
155 |
56 |
2 |
8 |
CONVERSE |
101 |
38 |
1 |
SERAPIS
4 |
APIS |
- |
- |
- |
|
A+P |
17 |
8 |
|
|
I |
9 |
9 |
|
|
S |
19 |
10 |
|
4 |
APIS |
45 |
27 |
18 |
- |
- |
4+5 |
2+7 |
1+8 |
4 |
APIS |
9 |
9 |
9 |
4 |
APIS |
45 |
27 |
9 |
4 |
BULL |
47 |
11 |
2 |
8 |
|
|
|
|
|
|
9+2 |
3+8 |
1+1 |
8 |
|
|
|
|
|
|
1+1 |
1+1 |
- |
8 |
|
2 |
2 |
2 |
3 |
THE |
33 |
15 |
6 |
4 |
APIS |
45 |
27 |
9 |
4 |
BULL |
47 |
11 |
2 |
11 |
|
|
|
|
|
|
1+2+5 |
5+3 |
1+7 |
2 |
|
|
|
|
11 |
THE APIS BULL |
125 |
53 |
8 |
12 |
THE APIS BULLS |
155 |
54 |
9 |
|
M |
I |
R |
R |
O |
R |
E |
D |
|
|
|
|
|
|
|
- |
- |
|
|
13 |
9 |
18 |
18 |
15 |
18 |
5 |
4 |
|
|
|
|
= |
|
|
|
|
|
|
4 |
9 |
9 |
9 |
6 |
9 |
5 |
4 |
|
|
|
|
= |
|
|
|
|
|
|
M |
I |
R |
R |
O |
R |
E |
D |
|
|
|
|
|
|
|
- |
- |
|
|
|
|
1 |
|
1 |
|
1 |
|
|
|
|
occurs |
x |
|
= |
8 |
= |
|
|
|
|
1 |
|
- |
|
5 |
|
|
|
|
occurs |
x |
|
= |
5 |
= |
|
|
|
|
- |
|
6 |
|
|
1 |
|
|
|
occurs |
x |
|
= |
6 |
= |
|
|
|
9 |
|
|
|
|
|
- |
|
|
|
occurs |
x |
|
= |
36 |
= |
|
|
M |
I |
R |
R |
O |
R |
E |
D |
|
|
24 |
|
|
|
|
|
|
|
- |
9 |
9 |
9 |
9 |
- |
9 |
- |
- |
- |
- |
2+4 |
- |
- |
- |
- |
5+5 |
- |
2+8 |
|
M |
I |
R |
R |
O |
R |
E |
D |
|
|
6 |
|
|
|
|
|
|
|
- |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
1+0 |
- |
1+0 |
|
M |
I |
R |
R |
O |
R |
E |
D |
|
|
6 |
|
|
|
|
|
|
|
8 |
MIRRORED |
- |
- |
- |
|
M |
13 |
4 |
|
|
I |
9 |
9 |
|
|
R |
18 |
9 |
|
|
R |
18 |
9 |
|
|
O |
15 |
6 |
|
|
R |
18 |
9 |
|
|
E+D |
9 |
9 |
|
8 |
MIRRORED |
- |
- |
- |
6 |
HERMES |
68 |
32 |
5 |
6 |
HERPES |
71 |
35 |
8 |
6 |
ISRAEL |
64 |
28 |
1 |
5 |
JUDAH |
44 |
17 |
8 |
11 |
|
|
|
|
|
|
1+0+8 |
4+5 |
- |
2 |
|
|
|
|
7 |
SOLOMON |
103 |
31 |
4 |
8 |
REHOBOAM |
77 |
41 |
5 |
15 |
|
|
|
|
|
|
1+8+0 |
7+2 |
- |
6 |
|
|
|
|
11 |
ISRAEL + JUDAH |
108 |
45 |
9 |
15 |
SOLOMON + REHOBOAM |
180 |
72 |
9 |
8 |
EPIPHANY |
94 |
49 |
4 |
|
|
9+4 |
4+9 |
- |
8 |
|
|
|
|
8 |
EPIPHANY |
- |
- |
- |
|
E+P |
21 |
12 |
|
|
I |
9 |
9 |
|
|
P |
16 |
7 |
|
|
H+A |
9 |
9 |
|
|
N+Y |
39 |
12 |
|
8 |
EPIPHANY |
94 |
49 |
31 |
- |
- |
9+4 |
4+9 |
3+1 |
8 |
EPIPHANY |
13 |
13 |
4 |
- |
- |
1+3 |
1+3 |
- |
8 |
EPIPHANY |
4 |
4 |
4 |
8 |
MANIFEST |
87 |
33 |
6 |
13 |
MANIFESTATION |
146 |
56 |
2 |
8 |
EPIPHANY |
94 |
49 |
4 |
|
|
9+4 |
4+9 |
- |
- |
|
|
|
|
8 |
THIRTEEN |
99 |
45 |
9 |
|
|
- |
- |
13 |
8 |
|
|
|
|
4 |
DARK |
34 |
16 |
7 |
5 |
LIGHT |
56 |
29 |
2 |
9 |
|
|
|
|
|
|
9+0 |
4+5 |
- |
9 |
|
|
|
|
6 |
QUANTA |
74 |
20 |
2 |
4 |
ATUM |
55 |
10 |
1 |
3 |
QUN |
52 |
16 |
7 |
7 |
QUANTUM |
107 |
26 |
8 |
9 |
MECHANICS |
75 |
39 |
3 |
2 |
AT |
21 |
3 |
3 |
4 |
REST |
62 |
17 |
8 |
2 |
IN |
23 |
14 |
5 |
6 |
MOTION |
86 |
32 |
5 |
10 |
MOTIONLESS |
141 |
42 |
6 |
3 |
THE |
33 |
15 |
6 |
11 |
UNCERTAINTY |
150 |
51 |
6 |
9 |
PRINCIPLE |
102 |
57 |
3 |
23 |
|
|
|
|
|
|
2+8+5 |
1+2+3 |
1+5 |
5 |
|
|
|
|
|
|
1+5 |
- |
- |
5 |
|
6 |
6 |
6 |
11 |
UNCERTAINTY |
150 |
51 |
6 |
9 |
PRINCIPLE |
102 |
57 |
3 |
20 |
|
|
|
|
|
|
2+5+2 |
1+0+8 |
- |
2 |
|
|
|
9 |
3 |
|
42 |
15 |
|
6 |
|
61 |
25 |
|
9 |
|
- |
- |
13 |
- |
|
- |
- |
- |
4 |
|
36 |
18 |
|
9 |
|
103 |
40 |
|
13 |
|
|
|
|
- |
|
|
|
- |
8 |
|
99 |
45 |
|
- |
- |
- |
- |
- |
7 |
|
103 |
31 |
|
9 |
|
103 |
40 |
|
- |
- |
- |
- |
- |
8 |
|
99 |
45 |
|
12 |
CALCULATIONS |
130 |
40 |
4 |
8 |
CALCULUS |
92 |
20 |
2 |
8 |
ABSOLUTE |
95 |
23 |
5 |
4 |
ZERO |
64 |
28 |
1 |
|
C |
A |
L |
C |
U |
L |
A |
T |
I |
O |
N |
S |
|
|
|
|
|
|
|
- |
- |
|
|
- |
- |
- |
- |
- |
- |
- |
- |
9 |
15 |
14 |
19 |
|
|
|
|
= |
|
|
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
9 |
6 |
5 |
1 |
|
|
|
|
= |
|
|
|
|
|
|
C |
A |
L |
C |
U |
L |
A |
T |
I |
O |
N |
S |
|
|
|
|
|
|
|
- |
- |
|
|
3 |
1 |
12 |
3 |
21 |
12 |
1 |
20 |
- |
- |
- |
- |
|
|
|
|
= |
|
|
|
|
|
|
3 |
1 |
3 |
3 |
3 |
3 |
1 |
2 |
- |
- |
- |
- |
|
|
|
|
= |
|
|
|
|
|
|
C |
A |
L |
C |
U |
L |
A |
T |
I |
O |
N |
S |
|
|
|
|
|
|
|
- |
- |
|
|
3 |
1 |
12 |
3 |
21 |
12 |
1 |
20 |
9 |
15 |
14 |
19 |
|
|
|
|
= |
|
|
|
|
|
|
3 |
1 |
3 |
3 |
3 |
3 |
1 |
2 |
9 |
6 |
5 |
1 |
|
|
|
|
= |
|
|
|
|
|
|
C |
A |
L |
C |
U |
L |
A |
T |
I |
O |
N |
S |
|
|
|
|
|
|
|
- |
- |
|
|
|
1 |
|
|
1 |
|
|
|
|
|
|
1 |
|
|
|
occurs |
x |
|
= |
3 |
= |
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
2 |
= |
|
|
|
|
|
|
3 |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
15 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
FOUR |
4 |
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
5 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
6 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
SEVEN |
|
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
EIGHT |
|
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
9 |
|
|
|
|
|
|
occurs |
x |
|
= |
9 |
= |
|
|
C |
A |
L |
C |
U |
L |
A |
T |
I |
O |
N |
S |
|
|
26 |
|
|
|
|
|
|
|
1+2 |
|
|
|
|
3 |
|
|
|
|
|
|
|
- |
- |
2+6 |
- |
- |
1+2 |
- |
4+0 |
- |
3+1 |
|
C |
A |
L |
C |
U |
L |
A |
T |
I |
O |
N |
S |
|
|
8 |
|
|
|
|
|
|
|
8 |
CALCULUS |
- |
- |
- |
|
- |
- |
|
C |
3 |
3 |
3 |
|
|
|
|
A |
1 |
1 |
1 |
|
|
|
|
L |
12 |
3 |
3 |
|
|
|
|
C |
3 |
3 |
3 |
|
|
|
|
U |
21 |
3 |
3 |
|
|
|
|
L |
12 |
3 |
3 |
|
|
|
|
U |
21 |
3 |
3 |
|
|
|
|
S |
19 |
10 |
10 |
|
|
|
8 |
CALCULUS |
92 |
29 |
29 |
|
2 |
18 |
- |
- |
9+2 |
2+9 |
2+9 |
|
- |
1+8 |
8 |
CALCULUS |
11 |
11 |
11 |
|
2 |
9 |
- |
- |
1+1 |
1+1 |
1+1 |
|
- |
- |
8 |
CALCULUS |
2 |
2 |
2 |
|
2 |
9 |
- |
ISAAC NEWTON |
- |
- |
- |
|
ISAAC |
33 |
15 |
|
|
NEWTON |
91 |
28 |
|
11 |
ISAAC NEWTON |
124 |
43 |
7 |
1+1 |
- |
1+2+4 |
4+3 |
- |
2 |
ISAAC NEWTON |
7 |
7 |
7 |
8 |
SQUARING |
106 |
43 |
7 |
3 |
THE |
33 |
15 |
6 |
6 |
CIRCLE |
50 |
32 |
5 |
17 |
- |
189 |
90 |
18 |
1+7 |
- |
1+8+9 |
9+0 |
1+8 |
8 |
- |
18 |
9 |
9 |
- |
- |
1+8 |
- |
- |
8 |
- |
9 |
9 |
9 |
9 |
APOCATASTASIS |
- |
- |
|
|
A+P |
17 |
8 |
|
|
O+C |
18 |
9 |
|
|
A+T+A+S+T+A+S |
81 |
27 |
|
|
I |
9 |
9 |
|
|
S |
19 |
10 |
|
9 |
APOCATASTASIS |
144 |
54 |
36 |
- |
|
1+4+4 |
5+4 |
3+6 |
9 |
APOCATASTASIS |
9 |
9 |
9 |
|
13 |
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
|
|
|
|
|
|
- |
|
- |
|
|
6 |
|
|
|
|
1 |
|
|
1 |
9 |
1 |
|
|
|
1+8 |
|
|
|
|
|
- |
|
|
15 |
|
|
|
|
19 |
|
|
19 |
9 |
19 |
|
|
|
8+1 |
|
|
|
|
|
13 |
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
|
|
|
|
|
|
|
|
- |
1 |
7 |
|
3 |
1 |
2 |
1 |
|
2 |
1 |
|
|
|
|
|
|
1+8 |
|
|
|
|
|
- |
1 |
16 |
|
3 |
1 |
20 |
1 |
|
20 |
1 |
|
|
|
|
|
|
6+3 |
|
|
|
|
|
13 |
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
|
|
|
|
|
|
- |
|
- |
1 |
16 |
15 |
3 |
1 |
20 |
1 |
19 |
20 |
1 |
19 |
9 |
19 |
|
|
|
1+4+4 |
|
|
|
6 |
|
- |
1 |
7 |
6 |
3 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
9 |
1 |
|
|
|
4+2 |
|
|
|
|
|
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
-` |
1 |
|
|
|
1 |
|
1 |
1 |
|
1 |
1 |
|
1 |
-` |
|
|
occurs |
x |
|
= |
7 |
|
- |
|
|
|
|
|
2 |
|
|
2 |
|
|
|
|
- |
-` |
2 |
occurs |
x |
|
= |
4 |
|
|
|
|
|
3 |
|
|
|
|
|
|
|
|
|
|
- |
3 |
occurs |
x |
|
= |
3 |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
4 |
|
|
|
|
|
5 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
5 |
|
|
- |
|
|
|
|
|
|
6 |
|
|
|
|
|
|
|
|
|
|
|
- |
6 |
occurs |
x |
|
= |
6 |
|
|
|
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
occurs |
x |
|
= |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
- |
|
- |
9 |
- |
- |
|
9 |
occurs |
x |
|
= |
9 |
17 |
|
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
- |
|
|
|
|
|
|
1+7 |
1+7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+8 |
|
|
1+7 |
|
3+6 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
|
|
|
|
|
|
|
|
|
1 |
7 |
6 |
3 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
9 |
1 |
|
|
1+0 |
|
|
|
|
- |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
|
|
|
|
|
|
|
13 |
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
|
|
|
|
|
|
- |
- |
|
|
6 |
|
|
|
|
1 |
|
|
1 |
9 |
1 |
|
|
|
1+8 |
|
|
|
|
- |
|
|
15 |
|
|
|
|
19 |
|
|
19 |
9 |
19 |
|
|
|
8+1 |
|
|
|
|
13 |
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
|
|
|
|
|
|
|
- |
1 |
7 |
|
3 |
1 |
2 |
1 |
|
2 |
1 |
|
|
|
|
|
|
1+8 |
|
|
|
|
- |
1 |
16 |
|
3 |
1 |
20 |
1 |
|
20 |
1 |
|
|
|
|
|
|
6+3 |
|
|
|
|
13 |
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
|
|
|
|
|
|
- |
- |
1 |
16 |
15 |
3 |
1 |
20 |
1 |
19 |
20 |
1 |
19 |
9 |
19 |
|
|
|
1+4+4 |
|
|
|
6 |
- |
1 |
7 |
6 |
3 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
9 |
1 |
|
|
|
4+2 |
|
|
|
|
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
-` |
1 |
|
|
|
1 |
|
1 |
1 |
|
1 |
1 |
|
1 |
-` |
|
|
occurs |
x |
|
= |
7 |
- |
|
|
|
|
|
2 |
|
|
2 |
|
|
|
|
- |
-` |
2 |
occurs |
x |
|
= |
4 |
|
|
|
|
3 |
|
|
|
|
|
|
|
|
|
|
- |
3 |
occurs |
x |
|
= |
3 |
|
|
|
6 |
|
|
|
|
|
|
|
|
|
|
|
- |
6 |
occurs |
x |
|
= |
6 |
|
|
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
occurs |
x |
|
= |
7 |
|
|
|
|
|
|
- |
|
- |
- |
|
- |
9 |
- |
- |
|
9 |
occurs |
x |
|
= |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
- |
|
|
|
|
|
|
1+7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+8 |
|
|
1+7 |
|
3+6 |
|
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
|
|
|
|
|
|
|
|
1 |
7 |
6 |
3 |
1 |
2 |
1 |
1 |
2 |
1 |
1 |
9 |
1 |
|
|
1+0 |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
I |
|
|
|
|
|
|
|
|
|
Apocatastasis
From Wikipedia, the free encyclopedia
Apocatastasis (/æpo?k?'tæst?s?s/, from Greek: ?p??at?stas??, apokatástasis) is reconstitution, restitution,[1] or restoration to the original or primordial condition.[2] An interpretation divides apocatastasis into three types of restorations, those involving virtuous individuals, nature, and the sinful powers of souls.[3]
Etymology and definition?[edit]
While apocatastasis is derived from the Greek verb apokathistemi, which means "to restore", it first emerged as a doctrine in Zoroastrianism where it is the third time of creation.[4] This period was referred to as wizarishn or the end of history - the time of separation and resolution[5] when evil is destroyed and the world is restored to its original state.[4] The idea of apocatastasis may have been derived from the ancient concept of cosmic cycle, which involves the notion of celestial bodies returning to their original positions after a period of time.[6]
Stoicism?[edit]
According to Edward Moore, apokatastasis was first properly conceptualized in early Stoic thought, particularly by Chrysippus. The return (apokatastasis) of the planets and stars to their proper celestial signs, namely their original positions, would spark a conflagration of the universe (ekpyrosis). The original position was believed to consist of an alignment of celestial bodies with Cancer. Thereafter, from fire, rebirth would commence, and this cycle of alternate destruction and recreation was correlated with a divine Logos. Antapocatastasis is a counter-recurrence when the stars and planets align with Capricorn, which would mark destruction by a universal flood.[9]
The Stoics identified Zeus with an alternately expanding and contracting fire constituting the universe. Its expansion was described as Zeus turning his thoughts outwards, resulting in the creation of the material cosmos, and its contraction, the apocatastasis, as Zeus returning to self-contemplation.[10][11] Leibniz explored both Stoic and his understanding of Origen's philosophy in two essays written shortly before his death, Apokatastasis and Apokatastasis panton (1715).[12]
2061
ODYSSEY THREE
Arthur C. Clarke 1987
Page 13 (number 0mitted)
"THE MAGIC MOUNTAIN"
THE MAGIC MOUNTAIN
Thomas Mann 1924
Page 719
"THE MAGIC MOUNTAIN"
Page 706
THE
THUNDERBOLT
DAILY MAIL
Thursday, September 28th 2006
Page 3
Ring of fire: that says it's your anniversary
Paul Sims
"The Remembering Ring"
WHY SMASH ATOMS
A. K. Solomon 1940
VAN DE GRAAFF GENERATOR
Page 77
"Once the fairy tale hero has penetrated the ring of fire round the magic mountain he is free to woo the heroine in her castle on the mountain top."
A RING OF FIRE A FIRE RING
SECRET CHAMBERS
Robert Bauval
1
999
Page 46
"The point that is being made here is that there existed a sacred science in Egypt that could only be imparted to gifted individuals with a strong predisposition for intuitive learning - the type of learning that is done with the human apparatus of perception, with the fine tuning of the five senses such that they functioned jointly as super receivers and transmitters of messages. Thus the initiation or training of natural magicians was to fine-tune the sensory perception. Anyone can fine-tune his sense to 'read' the messages of nature. However, to be a magician is to be able to reverse the process, i.e. to transmit the messages to others by using the 'language of the gods'. This is the arcana arcanorum, the ultimate secret of the magician. Thoth, the inventor of this magic, was supreme in its application. Equipped with such a cognition of Thoth, we can now examine the purpose of his divine mission as 'messenger' of the gods."
I
AM
THAT
LAZARUS
COME FROM THE DEAD COME
BACK
TO
TELL YOU ALL I SHALL TELL YOU ALL
15 |
THE RAINBOW LIGHT |
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THE |
33 |
15 |
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R |
18 |
9 |
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A |
1 |
1 |
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9 |
9 |
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N+B+O+W |
54 |
18 |
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L |
12 |
3 |
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I |
9 |
9 |
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G+H+T |
35 |
17 |
|
15 |
THE RAINBOW LIGHT |
171 |
81 |
54 |
1+5 |
- |
1+7+1 |
8+1 |
5+4 |
6 |
THE RAINBOW LIGHT |
9 |
9 |
9 |
I
ME
I SAY ISIS SAY I
I SAY OSIRIS SAY I
I SAY CHRIST SAY I
I SAY KRISHNA SAY I
I SAY RISHI ISHI ISHI RISHI SAY I
I SAY VISHNU SHIVA SHIVA VISHNU SAY I
ARISES THAT SUN SETS THAT SUN SETS THAT SUN ARISES THAT SUN
OSIRIS THAT SON SETS THAT SON SETS THAT SON OSIRIS THAT SON
D |
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4 |
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5 |
DAVID |
40 |
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4 |
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9 |
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2 |
IS |
28 |
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6 |
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OF |
21 |
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THE |
33 |
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6 |
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1 |
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4 |
STAR |
58 |
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4 |
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22 |
- |
16 |
Add to Reduce |
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2+2 |
- |
1+6 |
Reduce to Deduce |
1+8+0 |
7+2 |
1+8 |
- |
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4 |
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7 |
Essence of Number |
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THE |
33 |
15 |
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STAR |
58 |
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2 |
OF |
21 |
12 |
3 |
D |
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DAVID |
40 |
22 |
4 |
- |
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13 |
- |
14 |
Add to Reduce |
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1+3 |
- |
1+4 |
Reduce to Deduce |
1+5+2 |
6+2 |
1+7 |
- |
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4 |
- |
5 |
Essence of Number |
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D |
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4 |
- |
6 |
DAVIDS |
59 |
23 |
5 |
S |
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1 |
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4 |
STAR |
58 |
13 |
4 |
- |
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5 |
- |
10 |
Add to Reduce |
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- |
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- |
- |
1+0 |
Reduce to Deduce |
1+1+7 |
3+6 |
- |
- |
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5 |
- |
1 |
Essence of Number |
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I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
T |
= |
2 |
- |
4 |
THAT |
49 |
13 |
4 |
A |
= |
1 |
- |
2 |
AM |
14 |
5 |
5 |
T |
= |
2 |
- |
4 |
THAT |
49 |
13 |
4 |
T |
= |
2 |
- |
4 |
TIME |
47 |
20 |
2 |
E |
= |
5 |
- |
5 |
EMITS |
66 |
21 |
3 |
- |
- |
21 |
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20 |
Add to Reduce |
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- |
- |
2+1 |
- |
2+0 |
Reduce to Deduce |
2+3+4 |
8+1 |
2+7 |
- |
- |
3 |
- |
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Essence of Number |
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17 |
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- |
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9 |
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- |
6 |
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1 |
9 |
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1 |
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2+9 |
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1+1 |
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- |
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9 |
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15 |
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- |
15 |
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15 |
19 |
9 |
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19 |
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9+2 |
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1+1 |
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17 |
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- |
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4 |
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9 |
9 |
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9 |
5 |
4 |
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7 |
7 |
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2 |
5 |
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6+1 |
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13 |
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18 |
18 |
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18 |
5 |
4 |
- |
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16 |
16 |
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20 |
5 |
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1+3+3 |
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- |
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- |
13 |
9 |
18 |
18 |
15 |
18 |
5 |
4 |
- |
15 |
16 |
16 |
15 |
19 |
9 |
20 |
5 |
19 |
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2+3+4 |
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4 |
9 |
9 |
9 |
6 |
9 |
5 |
4 |
- |
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7 |
7 |
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9 |
2 |
5 |
1 |
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8+9 |
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1+8 |
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occurs |
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occurs |
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occurs |
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occurs |
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10 |
1+0 |
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occurs |
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18 |
1+8 |
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- |
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1+4 |
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occurs |
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45 |
4+5 |
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1+1 |
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1+8 |
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I
AM
THE
OPPOSITE OF THE OPPOSITE
I
AM
THE
OPPOSITE OF OPPOSITE
IS
THE
AM
I
ALWAYS
AM
MIRRORED OPPOSITES ALWAYS OPPOSITES MIRRORED
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occurs |
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occurs |
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1+4 |
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MOVE HIM INTO THE SUN
GENTLY ITS TOUCH AWOKE HIM ONCE
ALWAYS IT WOKE HIM
UNTIL THIS MORNING AND THIS SNOW
IF ANYTHING MIGHT ROUSE HIM NOW THE KIND OLD SUN WILL KNOW
2 |
IS |
28 |
10 |
1 |
2 |
IT |
29 |
11 |
2 |
3 |
FOR |
39 |
21 |
3 |
4 |
THIS |
56 |
20 |
2 |
3 |
THE |
33 |
15 |
6 |
4 |
CLAY |
41 |
14 |
5 |
4 |
GREW |
53 |
26 |
8 |
4 |
TALL |
45 |
9 |
9 |
26 |
Add to Reduce |
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|
2+6 |
Reduce to Deduce |
3+2+4 |
1+2+6 |
3+6 |
|
Essence of Number |
|
|
|
FULFILLMENT
WILFRED OWEN
GIORDANO BRUNO
MAN OF GOD
The SETI League makes an annual award honouring the memory of Giordano Bruno to a deserving person or persons who have made a significant contribution to the practice of SETI (the search for extraterrestrial intelligence).
The award was proposed by sociologist Donald Tarter in 1995 on the 395th anniversary of Bruno's death.
The Hermetica: The Lost Wisdom of the Pharaohs
To the memory of Giordano Bruno, 1548-1600. Mundus
Nihil Pulcherrimum By Tim Freke & Peter Gandy ... Giordano Bruno, travelled extensively in Europe.
Giordano Bruno
Italian philosopher
Giordano Bruno was an Italian Dominican friar, philosopher, mathematician, poet, cosmological theorist, and Hermetic occultist. He is known for his cosmological theories, which conceptually extended the then-novel Copernican model. Wikipedia
Born: 1548, Nola, Italy
Died: 17 February 1600, Campo de' Fiori, Rome, Italy
Influenced: Baruch Spinoza, Gottfried Wilhelm Leibniz, Arthur Schopenhauer, James Joyce, Molière
Influenced by: Nicolaus Copernicus, Nicholas of Cusa, MORE
|
|
- |
- |
- |
8 |
GIORDANO |
83 |
47 |
2 |
5 |
BRUNO |
70 |
25 |
7 |
13 |
|
153 |
72 |
9 |
1+3 |
|
1+5+3 |
7+2 |
- |
4 |
|
9 |
9 |
9 |
- |
- |
- |
- |
- |
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- |
- |
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G |
= |
7 |
- |
8 |
GIORDANO |
83 |
47 |
|
|
|
|
|
|
|
|
|
|
|
B |
= |
2 |
- |
5 |
|
70 |
25 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
9 |
- |
|
GIORDANO BRUNO |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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7 |
1 |
1 |
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7 |
7 |
7 |
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8 |
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= |
9 |
2 |
1 |
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9 |
9 |
9 |
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8 |
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= |
6 |
3 |
1 |
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15 |
6 |
6 |
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8 |
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= |
9 |
4 |
1 |
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18 |
9 |
9 |
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8 |
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= |
4 |
5 |
1 |
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4 |
4 |
4 |
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8 |
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= |
1 |
6 |
1 |
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1 |
1 |
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8 |
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= |
5 |
7 |
1 |
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14 |
5 |
5 |
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8 |
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= |
6 |
8 |
1 |
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15 |
6 |
6 |
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8 |
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- |
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- |
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8 |
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2 |
9 |
1 |
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2 |
2 |
2 |
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8 |
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= |
9 |
10 |
1 |
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18 |
9 |
9 |
|
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8 |
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= |
3 |
11 |
1 |
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21 |
3 |
3 |
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8 |
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= |
5 |
12 |
1 |
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14 |
5 |
5 |
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8 |
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= |
6 |
13 |
1 |
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15 |
6 |
6 |
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8 |
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- |
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- |
- |
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- |
- |
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1+3 |
1+8 |
|
|
2+7 |
G |
= |
7 |
- |
8 |
GIORDANO |
83 |
47 |
|
|
|
|
|
|
4 |
|
|
|
|
B |
= |
2 |
- |
5 |
|
70 |
25 |
|
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|
|
|
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- |
- |
9 |
- |
|
GIORDANO BRUNO |
|
|
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- |
- |
- |
- |
1+3 |
- |
1+5+3 |
7+2 |
|
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- |
- |
9 |
- |
|
GIORDANO BRUNO |
|
|
|
|
|
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- |
- |
- |
- |
- |
|
- |
- |
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|
G |
= |
7 |
- |
8 |
GIORDANO |
83 |
47 |
|
|
|
|
|
|
|
|
|
|
|
B |
= |
2 |
- |
5 |
|
70 |
25 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
9 |
- |
|
GIORDANO BRUNO |
|
|
|
|
|
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|
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= |
7 |
1 |
1 |
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7 |
7 |
7 |
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8 |
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= |
9 |
2 |
1 |
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9 |
9 |
9 |
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8 |
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= |
6 |
3 |
1 |
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15 |
6 |
6 |
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8 |
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= |
9 |
4 |
1 |
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18 |
9 |
9 |
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8 |
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4 |
5 |
1 |
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4 |
4 |
4 |
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8 |
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= |
1 |
6 |
1 |
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1 |
1 |
1 |
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8 |
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= |
5 |
7 |
1 |
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14 |
5 |
5 |
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8 |
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= |
6 |
8 |
1 |
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15 |
6 |
6 |
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8 |
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= |
2 |
9 |
1 |
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2 |
2 |
2 |
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8 |
|
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= |
9 |
10 |
1 |
|
18 |
9 |
9 |
|
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8 |
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= |
3 |
11 |
1 |
|
21 |
3 |
3 |
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8 |
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= |
5 |
12 |
1 |
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14 |
5 |
5 |
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8 |
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= |
6 |
13 |
1 |
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15 |
6 |
6 |
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8 |
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- |
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- |
- |
- |
- |
- |
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- |
- |
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|
|
|
|
|
1+3 |
1+8 |
|
|
2+7 |
G |
= |
7 |
- |
8 |
GIORDANO |
83 |
47 |
|
|
|
|
|
|
4 |
|
|
|
|
B |
= |
2 |
- |
5 |
|
70 |
25 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
9 |
- |
|
GIORDANO BRUNO |
|
|
|
|
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|
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|
|
|
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|
- |
- |
- |
- |
1+3 |
- |
1+5+3 |
7+2 |
|
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|
- |
- |
9 |
- |
|
GIORDANO BRUNO |
|
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- |
- |
- |
- |
- |
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G |
= |
7 |
- |
8 |
GIORDANO |
83 |
47 |
|
|
|
|
|
|
|
|
|
|
|
B |
= |
2 |
- |
5 |
|
70 |
25 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
9 |
- |
|
GIORDANO BRUNO |
|
|
|
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|
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1 |
6 |
1 |
|
1 |
1 |
1 |
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8 |
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= |
2 |
9 |
1 |
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2 |
2 |
2 |
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8 |
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3 |
11 |
1 |
|
21 |
3 |
3 |
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8 |
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4 |
5 |
1 |
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4 |
4 |
4 |
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8 |
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= |
5 |
12 |
1 |
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14 |
5 |
5 |
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8 |
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5 |
7 |
1 |
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14 |
5 |
5 |
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8 |
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= |
6 |
3 |
1 |
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15 |
6 |
6 |
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8 |
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= |
6 |
13 |
1 |
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15 |
6 |
6 |
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8 |
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= |
6 |
8 |
1 |
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15 |
6 |
6 |
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8 |
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= |
7 |
1 |
1 |
|
7 |
7 |
7 |
|
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8 |
|
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= |
9 |
2 |
1 |
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9 |
9 |
9 |
|
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|
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8 |
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= |
9 |
4 |
1 |
|
18 |
9 |
9 |
|
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8 |
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= |
9 |
10 |
1 |
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18 |
9 |
9 |
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8 |
|
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- |
|
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- |
- |
- |
- |
- |
|
- |
- |
|
|
|
|
|
|
1+3 |
1+8 |
|
|
2+7 |
G |
= |
7 |
- |
8 |
GIORDANO |
83 |
47 |
|
|
|
|
|
|
4 |
|
|
|
|
B |
= |
2 |
- |
5 |
|
70 |
25 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
9 |
- |
|
GIORDANO BRUNO |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
1+3 |
- |
1+5+3 |
7+2 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
9 |
- |
|
GIORDANO BRUNO |
|
|
|
|
|
|
|
|
|
|
|
|
|
LETTERS TRANSPOSED INTO NUMBERS REARRANGED IN NUMERICAL ORDER
- |
- |
- |
- |
- |
|
- |
- |
|
|
|
|
|
|
|
|
|
|
G |
= |
7 |
- |
8 |
GIORDANO |
83 |
47 |
|
|
|
|
|
|
|
|
|
|
B |
= |
2 |
- |
5 |
|
70 |
25 |
|
|
|
|
|
|
|
|
|
|
- |
- |
9 |
- |
|
GIORDANO BRUNO |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
1 |
6 |
1 |
|
1 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
= |
2 |
9 |
1 |
|
2 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
= |
3 |
11 |
1 |
|
21 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
= |
4 |
5 |
1 |
|
4 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
= |
5 |
12 |
1 |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
= |
5 |
7 |
1 |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
= |
6 |
3 |
1 |
|
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
= |
6 |
13 |
1 |
|
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
= |
6 |
8 |
1 |
|
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
= |
7 |
1 |
1 |
|
7 |
7 |
7 |
|
|
|
|
|
|
|
|
|
|
= |
9 |
2 |
1 |
|
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
= |
9 |
4 |
1 |
|
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
= |
9 |
10 |
1 |
|
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
|
- |
- |
|
|
|
|
|
|
1+3 |
1+8 |
|
2+7 |
G |
= |
7 |
- |
8 |
GIORDANO |
83 |
47 |
|
|
|
|
|
|
4 |
|
|
|
B |
= |
2 |
- |
5 |
|
70 |
25 |
|
|
|
|
|
|
|
|
|
|
- |
- |
9 |
- |
|
GIORDANO BRUNO |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
1+3 |
- |
1+5+3 |
7+2 |
|
|
|
|
|
|
|
|
|
|
- |
- |
9 |
- |
|
GIORDANO BRUNO |
|
|
|
|
|
|
|
|
|
|
|
|
Giordano Bruno
Giordano Bruno (/dr'd??no? 'bruno?/, Italian: [dor'dano 'bruno]; Latin: Iordanus Brunus Nolanus; born Filippo Bruno, January or February 1548 – 17 February 1600) was an Italian Dominican friar, philosopher, mathematician, poet, cosmological theorist, and Hermetic occultist.
Cause of death: Execution by burning
Era: Renaissance philosophy
Notable ideas: Cosmic pluralism
School: ?Renaissance humanism; Neoplatonism; ...
Statue · Category:Giordano Bruno · Cosmic pluralism · Art of memory
Born: 1548, Nola, Italy
Died: 17 February 1600, Campo de' Fiori, Rome, Italy
MARTYR IN THE HOLY CAUSE
- |
|
- |
- |
|
5 |
CAMPO |
48 |
21 |
|
2 |
DE |
9 |
9 |
|
5 |
|
57 |
39 |
|
|
CAMPO DE FIORI |
|
|
|
1+2 |
- |
1+1+4 |
6+9 |
1+5 |
|
CAMPO DE FIORI |
|
|
|
- |
- |
- |
1+5 |
- |
|
CAMPO DE FIORI |
|
|
|
GIORDANO BRUNO
- |
|
- |
- |
|
2 |
MA |
14 |
5 |
|
1 |
R |
18 |
9 |
|
2 |
TY |
45 |
9 |
|
1 |
R |
18 |
9 |
|
|
MARTYR |
|
|
|
- |
- |
9+5 |
3+2 |
3+2 |
|
MARTYR |
|
|
|
- |
- |
1+4 |
- |
- |
|
MARTYR |
|
|
|
Martyr
A person who willingly suffers death rather than renounce his or her religion.
a person who is put to death or endures great suffering on behalf of any belief, principle, or cause:
martyr to the cause of social justice. a person who undergoes severe or constant suffering:
- |
|
- |
- |
|
4 |
ADAM |
19 |
10 |
|
2 |
|
9 |
9 |
|
6 |
|
83 |
38 |
|
|
ADAM HA RISHON |
|
|
|
1+2 |
- |
1+1+1 |
5+7 |
1+2 |
|
ADAM HA RISHON |
|
|
|
- |
- |
|
1+2 |
- |
|
ADAM HA RISHON |
|
|
|
From Wikipedia, the free encyclopedia
For other uses, see Rebus (disambiguation).
A rebus-style "escort card" from around 1865, to be read as "May I see you home my dear?"
A German rebus, circa 1620
A rebus (/'ri?b?s/) is a puzzle device that combines the use of illustrated pictures with individual letters to depict words and/or phrases. For example: the word "been" might be depicted by a rebus showing an illustrated bumblebee next to a plus sign (+) and the letter "n". It was a favorite form of heraldic expression used in the Middle Ages to denote surnames.
For example, in its basic form, three salmon (fish) are used to denote the surname "Salmon". A more sophisticated example was the rebus of Bishop Walter Lyhart (d. 1472) of Norwich, consisting of a stag (or hart) lying down in a conventional representation of water.
The composition alludes to the name, profession or personal characteristics of the bearer, and speaks to the beholder Non verbis, sed rebus, which Latin expression signifies "not by words but by things"[1] (res, rei (f), a thing, object, matter; rebus being ablative plural).[2]
Rebuses within heraldry?[edit]
Further information: Canting arms
Rebuses are used extensively as a form of heraldic expression as a hint to the name of the bearer; they are not synonymous with canting arms. A man might have a rebus as a personal identification device entirely separate from his armorials, canting or otherwise. For example, Sir Richard Weston (d. 1541) bore as arms: Ermine, on a chief azure five bezants, whilst his rebus, displayed many times in terracotta plaques on the walls of his mansion Sutton Place, Surrey, was a "tun" or barrel, used to designate the last syllable of his surname.
An example of canting arms proper are those of the Borough of Congleton in Cheshire consisting of a conger eel, a lion (in Latin, leo) and a tun (barrel). This word sequence "conger-leo-tun" enunciates the town's name. Similarly, the coat of arms of St. Ignatius Loyola contains wolves (in Spanish, lobo) and a kettle (olla), said by some (probably incorrectly) to be a rebus for "Loyola". The arms of Elizabeth Bowes-Lyon feature bows and lions.
A modern example of the rebus used as a form of word play is:
H + Ear = Hear, or Here.
By extension, it also uses the positioning of words or parts of words in relation to each other to convey a hidden meaning, for example:
p walk ark: walk in the park.
A rebus made up solely of letters (such as "CU" for "See you") is known as a gramogram, grammagram, or letteral word. This concept is sometimes extended to include numbers (as in "Q8" for "Kuwait", or "8" for "ate").[3] Rebuses are sometimes used in crossword puzzles, with multiple letters or a symbol fitting into a single square.[4]
Pictograms?[edit]
The term rebus also refers to the use of a pictogram to represent a syllabic sound. This adapts pictograms into phonograms. A precursor to the development of the alphabet, this process represents one of the most important developments of writing. Fully developed hieroglyphs read in rebus fashion were in use at Abydos in Egypt as early as 3400 BCE.[5] In Mesopotamia, the principle was first employed on proto-cuneiform tablets, beginning in the Jemdet Nasr period (c. 3100–2900 BC).[6][7]
The writing of correspondence in rebus form became popular in the 18th century and continued into the 19th century. Lewis Carroll wrote the children he befriended picture-puzzle rebus letters, nonsense letters, and looking-glass letters, which had to be held in front of a mirror to be read.[8] Rebus letters served either as a sort of code or simply as a pastime.
Rebus principle?[edit]
Ramesses II as child: Hieroglyphs: Ra-mes-su
In linguistics, the rebus principle is the use of existing symbols, such as pictograms, purely for their sounds regardless of their meaning, to represent new words. Many ancient writing systems used the rebus principle to represent abstract words, which otherwise would be hard to represent with pictograms. An example that illustrates the Rebus principle is the representation of the sentence "I can see you" by using the pictographs of "eye—can—sea—ewe".
Some linguists believe that the Chinese developed their writing system according to the rebus principle,[9] and Egyptian hieroglyphs sometimes used a similar system. A famous rebus statue of Ramses II uses three hieroglyphs to compose his name: Horus (as Ra), for Ra; the child, mes; and the sedge plant (stalk held in left hand), su; the name Ra-mes-su is then formed.[10]
Freud[11] posited that the rebus was the basis for uncovering the latent content of the dream. He wrote, "A dream is a picture puzzle of this sort and our predecessors in the field of dream interpretation have made the mistake of treating the rebus as a pictorial composition: and as such it has seemed to them nonsensical and worthless."
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PRINCIPLE |
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THE REBUS PRINCIPLE |
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LETTERS TRANSPOSED INTO NUMBERS REARRANGED IN NUMERICAL ORDER
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THE REBUS PRINCIPLE |
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PRINCIPLE |
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THE REBUS PRINCIPLE |
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THE REBUS PRINCIPLE |
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PRINCIPLE |
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THE REBUS PRINCIPLE |
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THE REBUS PRINCIPLE |
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The Rebus Principle | Egyptology Man
egyptologyman.wordpress.com › 2011/02/17 › the-reb...
17 Feb 2011 — The idea that symbols could be used to represent the sounds of a language rather than represent real objects, is known as the rebus principle ...
The Rebus Principle
Rebus Principle
By: Donald Rose (Egyptology Man)
The idea that symbols could be used to represent the sounds of a language rather than represent real objects, is known as the rebus principle and is one of the most significant ancient discoveries leading to the development of writing. Not only did this principle apply to the development of the Ancient Egyptian written language, but it was also the precursor to the development of the alphabets used in modern languages as well.
A rebus is a message spelt out in pictures that represents sounds rather than the things they are pictures of. For example the picture of an eye, a bee, and a leaf can be put together to form the English rebus meaning “I be-lieve”, which has nothing to do with eyes, bees or leaves. Consider the following two examples of rebuses:-
The pictograms and represent “I-deer” and form the rebus “idea”.
The pictograms , , and represent “eye-sea-ewe” and form the rebus “I see you”.
This principle is adopted in many parts of the Ancient Egyptian system of spelling with hieroglyphs.
The term “rebus” can refer to the use of one or more pictograms representing one or more phonograms. In the beginning, Ancient Egyptian writing relied heavily on pictographic signs representing concrete objects. Words which cannot be represented easily by means of a picture, such as proper names, ideas and function words, were difficult to write. The rebus principle provided the means to overcome this limitation. Fully developed hieroglyphs
read in rebus fashion were in use at Abydos in Ancient Egypt as early as 3400 BC.
A famous Ancient Egyptian rebus statue of Ramses II consists of three hieroglyphic elements. A large falcon representing Horus the sun god – RA, who is standing behind a sitting child – MES, and the child is holding a sedge plant stalk in his left hand – SU. Remember we are not looking at these hieroglyphs from the perspective phonograms. These three items compose the rebus RA-MES-SU or as we prefer Ramesses.
Two main types of sound writing evolved from the development and extension of the rebus principle; syllabic and alphabetic writing. The English language is purely alphabetic, although from the example of the rebuses above, it can be seen how easy it is to construct a syllabic rebus from English words. Ancient Egyptian hieroglyphs can demonstrate both types of writing.
It is even possible to compose a rebus that is both of an alphabetic and a syllabic nature, for example:-
H + = Hear
When you contemplate how language gradually develops, you may be right in thinking that there is no coincidence in the fact that the word “ear” is part of the word “hear”.
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occurs |
x |
|
= |
21 |
= |
|
-- |
8 |
- |
- |
- |
- |
- |
- |
- |
- |
8 |
- |
|
- |
|
|
occurs |
x |
|
= |
16 |
1+6 |
|
- |
- |
9 |
- |
9 |
- |
- |
- |
- |
- |
- |
9 |
|
- |
|
|
occurs |
x |
|
= |
27 |
2+7 |
|
|
H |
I |
E |
R |
O |
G |
L |
Y |
P |
H |
I |
C |
- |
|
38 |
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- |
9 |
- |
9 |
- |
|
- |
- |
|
- |
9 |
- |
- |
|
3+8 |
- |
- |
1+2 |
Q |
8+1 |
- |
3+6 |
|
H |
I |
E |
R |
O |
G |
L |
Y |
P |
H |
I |
C |
- |
|
11 |
|
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|
8 |
9 |
5 |
9 |
6 |
7 |
3 |
7 |
7 |
8 |
9 |
3 |
- |
|
1+1 |
|
|
|
|
- |
- |
|
|
H |
I |
E |
R |
O |
G |
L |
Y |
P |
H |
I |
C |
- |
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2 |
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|
KEEPER OF GENESIS
A QUEST FOR THE HIDDEN LEGACY OF MANKIND
Robert Bauval Graham Hancock 1996
Page 254
"...Is there in any sense an interstellar Rosetta Stone?
We believe there is a common language that all technical civilizations, no matter how different, must have.
That common language is science and mathematics.
The laws of Nature are the same everywhere:..."
R |
= |
9 |
- |
7 |
ROSETTA |
98 |
26 |
8 |
S |
= |
1 |
- |
5 |
STONE |
73 |
19 |
1 |
- |
- |
10 |
- |
12 |
Add to Reduce |
|
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|
- |
- |
1+0 |
- |
1+2 |
Reduce to Deduce |
1+7+1 |
4+5 |
|
Q |
- |
1 |
- |
3 |
Essence of Number |
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- |
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- |
- |
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- |
- |
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6 |
1 |
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- |
1 |
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6 |
5 |
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1+9 |
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1+0 |
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- |
- |
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15 |
19 |
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- |
19 |
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15 |
14 |
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8+2 |
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1+0 |
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- |
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- |
- |
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- |
- |
9 |
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5 |
2 |
2 |
1 |
- |
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2 |
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5 |
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2+6 |
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= |
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- |
- |
18 |
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5 |
20 |
20 |
1 |
- |
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20 |
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5 |
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8+9 |
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1+7 |
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- |
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- |
- |
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- |
- |
18 |
15 |
19 |
5 |
20 |
20 |
1 |
- |
19 |
20 |
15 |
14 |
5 |
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1+7+1 |
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- |
- |
9 |
6 |
1 |
5 |
2 |
2 |
1 |
- |
1 |
2 |
6 |
5 |
5 |
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4+5 |
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12 |
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- |
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- |
- |
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- |
- |
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- |
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occurs |
x |
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= |
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= |
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occurs |
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= |
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= |
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- |
- |
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- |
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- |
- |
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- |
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- |
- |
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- |
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occurs |
x |
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= |
15 |
1+5 |
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occurs |
x |
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= |
12 |
1+2 |
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- |
- |
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- |
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- |
- |
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- |
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- |
- |
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- |
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occurs |
x |
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= |
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= |
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- |
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2+2 |
1+2 |
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- |
- |
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- |
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- |
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2+3 |
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1+2 |
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4+5 |
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2+7 |
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- |
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- |
- |
9 |
6 |
1 |
5 |
2 |
2 |
1 |
- |
1 |
2 |
6 |
5 |
5 |
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- |
- |
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- |
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- |
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- |
- |
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- |
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6 |
1 |
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- |
1 |
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6 |
5 |
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1+9 |
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1+0 |
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- |
|
15 |
19 |
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- |
19 |
|
15 |
14 |
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8+2 |
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1+0 |
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- |
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- |
- |
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- |
9 |
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5 |
2 |
2 |
1 |
- |
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2 |
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5 |
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2+6 |
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|
= |
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- |
18 |
|
|
5 |
20 |
20 |
1 |
- |
|
20 |
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5 |
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8+9 |
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1+7 |
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- |
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- |
- |
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- |
18 |
15 |
19 |
5 |
20 |
20 |
1 |
- |
19 |
20 |
15 |
14 |
5 |
|
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|
1+7+1 |
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- |
9 |
6 |
1 |
5 |
2 |
2 |
1 |
- |
1 |
2 |
6 |
5 |
5 |
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4+5 |
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12 |
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- |
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- |
- |
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- |
- |
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- |
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occurs |
x |
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= |
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= |
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occurs |
x |
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= |
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= |
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- |
- |
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- |
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occurs |
x |
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= |
15 |
1+5 |
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occurs |
x |
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= |
12 |
1+2 |
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- |
- |
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- |
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occurs |
x |
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= |
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= |
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- |
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1+2 |
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- |
- |
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- |
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- |
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2+3 |
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1+2 |
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4+5 |
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2+7 |
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- |
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- |
9 |
6 |
1 |
5 |
2 |
2 |
1 |
- |
1 |
2 |
6 |
5 |
5 |
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- |
- |
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- |
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4 |
STAR |
58 |
13 |
4 |
2 |
OF |
21 |
12 |
3 |
5 |
DAVID |
40 |
22 |
4 |
11 |
Add to Reduce |
|
|
|
1+1 |
Reduce to Deduce |
1+5+2 |
6+2 |
1+7 |
2 |
Essence of Number |
|
|
|
WISDOM OF THE EAST
by Hari Prasad Shastri 1948
Page 8
"There is no such word in Sanscrita as 'Creation' applied to the universe. The Sanscrita word for Creation is Shristi, which means 'projection' Creation means to bring something into being out /Page 9/ of nothing, to create, as a novelist creates a character. There was no Miranda, for example, until Shakespeare created her. Similarly the ancient Indians (this term is innacurately used as there was no India at that time). who were our ancestors long, long ago. used a word for creation that means 'projection'.
4 |
GODS |
45 |
18 |
9 |
6 |
SPIRIT |
91 |
37 |
1 |
4 |
ISIS |
89 |
35 |
8 |
6 |
OSIRIS |
89 |
35 |
8 |
6 |
VISHNU |
93 |
30 |
3 |
5 |
SHIVA |
59 |
59 |
4 |
7 |
KRISHNA |
80 |
35 |
3 |
7 |
SHRISTI |
102 |
39 |
3 |
5 |
RISHI |
63 |
36 |
9 |
4 |
ISHI |
45 |
27 |
9 |
6 |
CHRIST |
77 |
32 |
5 |
GODS SPIRIT GODS
ISIS OSIRIS VISHNU SHIVA SHRI KRISHNA SHRISTI RISHI ISHI CHRIST
SING A SONG OF NINES OF NINES A SONG SING
- |
SHRISTI |
- |
- |
- |
|
SH |
27 |
18 |
|
|
R |
18 |
9 |
|
|
I |
9 |
9 |
|
|
ST |
39 |
12 |
|
|
I |
9 |
9 |
|
7 |
SHRISTI |
102 |
32 |
14 |
- |
- |
7+7 |
3+2 |
1+4 |
7 |
SHRISTI |
14 |
5 |
5 |
- |
7 |
S |
H |
R |
I |
S |
T |
I |
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- |
|
|
- |
- |
1 |
8 |
- |
9 |
1 |
- |
9 |
|
|
|
2+8 |
= |
|
1+0 |
|
= |
|
- |
- |
19 |
8 |
- |
9 |
19 |
- |
9 |
|
|
|
6+4 |
= |
|
1+0 |
|
= |
|
- |
7 |
S |
H |
R |
I |
S |
T |
I |
|
|
|
- |
|
|
- |
- |
|
|
- |
- |
- |
- |
9 |
- |
- |
2 |
- |
|
|
|
1+1 |
= |
|
= |
|
= |
|
- |
- |
- |
- |
18 |
- |
- |
20 |
- |
|
|
|
3+8 |
= |
|
1+1 |
|
= |
|
- |
7 |
S |
H |
R |
I |
S |
T |
I |
|
|
|
- |
|
|
- |
- |
|
|
- |
- |
19 |
8 |
18 |
9 |
19 |
20 |
9 |
|
|
|
1+0+2 |
= |
|
= |
|
= |
|
- |
- |
1 |
8 |
9 |
9 |
1 |
2 |
9 |
|
|
|
3+9 |
= |
|
1+2 |
|
= |
|
- |
7 |
S |
H |
R |
I |
S |
T |
I |
|
|
|
|
|
|
|
- |
- |
|
- |
- |
1 |
- |
- |
- |
1 |
- |
- |
|
|
|
occurs |
x |
|
= |
2 |
= |
|
- |
- |
- |
- |
- |
- |
- |
2 |
- |
|
|
|
occurs |
x |
|
= |
2 |
= |
|
3 |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
- |
- |
|
- |
- |
- |
|
|
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
- |
- |
|
- |
- |
- |
|
|
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
- |
- |
|
- |
- |
- |
|
|
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
- |
- |
|
- |
- |
- |
|
|
- |
- |
- |
7 |
- |
- |
- |
- |
|
|
|
- |
- |
|
- |
- |
- |
|
- |
- |
- |
8 |
- |
- |
- |
- |
- |
|
|
|
occurs |
x |
|
= |
8 |
= |
|
- |
- |
- |
- |
9 |
9 |
- |
- |
9 |
|
|
|
occurs |
x |
|
= |
27 |
2+7 |
|
25 |
7 |
S |
H |
R |
I |
S |
T |
I |
|
|
20 |
|
|
7 |
|
|
|
|
2+5 |
- |
|
|
|
|
|
|
|
|
|
2+0 |
- |
- |
- |
- |
3+9 |
- |
2+1 |
|
7 |
S |
H |
R |
I |
S |
T |
I |
|
|
2 |
|
|
7 |
|
|
|
|
- |
- |
1 |
8 |
9 |
9 |
1 |
2 |
9 |
|
|
- |
- |
- |
- |
- |
1+2 |
- |
- |
7 |
7 |
S |
H |
R |
I |
S |
T |
I |
|
|
|
|
|
7 |
|
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|
7 |
S |
H |
R |
I |
S |
T |
I |
|
|
|
|
|
|
|
- |
|
|
- |
1 |
8 |
- |
9 |
1 |
- |
9 |
|
|
|
2+8 |
= |
|
1+0 |
|
= |
|
- |
19 |
8 |
- |
9 |
19 |
- |
9 |
|
|
|
6+4 |
= |
|
1+0 |
|
= |
|
7 |
S |
H |
R |
I |
S |
T |
I |
|
|
|
- |
|
|
- |
- |
|
|
- |
- |
- |
9 |
- |
- |
2 |
- |
|
|
|
1+1 |
= |
|
= |
|
= |
|
- |
- |
- |
18 |
- |
- |
20 |
- |
|
|
|
3+8 |
= |
|
1+1 |
|
= |
|
7 |
S |
H |
R |
I |
S |
T |
I |
|
|
|
- |
|
|
- |
- |
|
|
- |
19 |
8 |
18 |
9 |
19 |
20 |
9 |
|
|
|
1+0+2 |
= |
|
= |
|
= |
|
- |
1 |
8 |
9 |
9 |
1 |
2 |
9 |
|
|
|
3+9 |
= |
|
1+2 |
|
= |
|
7 |
S |
H |
R |
I |
S |
T |
I |
|
|
|
|
|
|
|
- |
- |
|
|
1 |
- |
- |
- |
1 |
- |
- |
|
|
|
occurs |
x |
|
= |
2 |
= |
|
|
- |
- |
- |
- |
- |
2 |
- |
|
|
|
occurs |
x |
|
= |
2 |
= |
|
|
- |
8 |
- |
- |
- |
- |
- |
|
|
|
occurs |
x |
|
= |
8 |
= |
|
|
- |
- |
9 |
9 |
- |
- |
9 |
|
|
|
occurs |
x |
|
= |
27 |
2+7 |
|
7 |
S |
H |
R |
I |
S |
T |
I |
|
|
20 |
|
|
7 |
|
|
|
|
- |
|
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|
|
|
|
|
|
|
2+0 |
- |
- |
- |
- |
3+9 |
- |
2+1 |
7 |
S |
H |
R |
I |
S |
T |
I |
|
|
2 |
|
|
7 |
|
|
|
|
- |
1 |
8 |
9 |
9 |
1 |
2 |
9 |
|
|
- |
- |
- |
- |
- |
1+2 |
- |
- |
7 |
S |
H |
R |
I |
S |
T |
I |
|
|
|
|
|
7 |
|
|
|
|
THE UNKNOWN GOD
- |
THE UNKNOWN GOD |
|
|
|
3 |
THE |
33 |
15 |
|
7 |
UNKNOWN |
112 |
31 |
|
3 |
GOD |
26 |
17 |
|
13 |
THE UNKNOWN GOD |
171 |
63 |
18 |
1+3 |
|
1+7+1 |
6+3 |
1+8 |
4 |
THE UNKNOWN GOD |
9 |
9 |
9 |
- |
- |
- |
- |
- |
THE UNKNOWN GOD |
|
|
|
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|
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2 |
- |
3 |
THE |
33 |
15 |
|
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P |
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7 |
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7 |
UNKNOWN |
112 |
31 |
|
|
|
|
|
|
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M |
= |
4 |
- |
3 |
GOD |
26 |
17 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
13 |
- |
13 |
THE UNKNOWN GOD |
171 |
63 |
18 |
|
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1 |
1 |
|
20 |
2 |
2 |
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8 |
2 |
1 |
|
8 |
8 |
8 |
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5 |
3 |
1 |
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5 |
5 |
5 |
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- |
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3 |
4 |
1 |
|
21 |
3 |
3 |
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5 |
5 |
1 |
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14 |
5 |
5 |
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2 |
6 |
1 |
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11 |
2 |
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5 |
7 |
1 |
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14 |
5 |
5 |
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6 |
8 |
1 |
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15 |
6 |
6 |
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5 |
9 |
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5 |
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14 |
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11 |
1 |
|
7 |
7 |
7 |
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6 |
12 |
1 |
|
15 |
6 |
6 |
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4 |
13 |
1 |
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4 |
4 |
4 |
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- |
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THE UNKNOWN GOD |
|
|
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T |
= |
2 |
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3 |
THE |
33 |
15 |
|
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2+5 |
1+2 |
|
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U |
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3 |
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7 |
UNKNOWN |
112 |
31 |
|
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G |
= |
7 |
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3 |
GOD |
26 |
17 |
|
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|
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|
- |
- |
12 |
- |
13 |
THE UNKNOWN GOD |
171 |
63 |
18 |
|
|
|
|
|
|
|
|
|
|
- |
- |
1+2 |
- |
1+3 |
|
1+7+1 |
6+3 |
1+8 |
|
|
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|
|
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|
|
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- |
- |
3 |
- |
4 |
THE UNKNOWN GOD |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
THE UNKNOWN GOD |
|
|
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|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
|
|
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P |
= |
7 |
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7 |
UNKNOWN |
112 |
31 |
|
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M |
= |
4 |
- |
3 |
GOD |
26 |
17 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
13 |
- |
13 |
THE UNKNOWN GOD |
171 |
63 |
18 |
|
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2 |
1 |
1 |
|
20 |
2 |
2 |
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1 |
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9 |
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8 |
2 |
1 |
|
8 |
8 |
8 |
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1 |
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9 |
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5 |
3 |
1 |
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5 |
5 |
5 |
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1 |
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9 |
|
= |
3 |
4 |
1 |
|
21 |
3 |
3 |
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1 |
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9 |
|
= |
5 |
5 |
1 |
|
14 |
5 |
5 |
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1 |
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9 |
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2 |
6 |
1 |
|
11 |
2 |
2 |
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1 |
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9 |
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5 |
7 |
1 |
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14 |
5 |
5 |
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1 |
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9 |
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= |
6 |
8 |
1 |
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15 |
6 |
6 |
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1 |
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9 |
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5 |
9 |
1 |
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23 |
5 |
5 |
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9 |
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5 |
10 |
1 |
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14 |
5 |
5 |
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9 |
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= |
7 |
11 |
1 |
|
7 |
7 |
7 |
|
1 |
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9 |
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= |
6 |
12 |
1 |
|
15 |
6 |
6 |
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1 |
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9 |
|
= |
4 |
13 |
1 |
|
4 |
4 |
4 |
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1 |
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9 |
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|
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- |
|
|
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|
|
- |
- |
- |
- |
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THE UNKNOWN GOD |
|
|
|
|
|
|
|
|
|
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|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
|
|
|
|
|
|
2+5 |
1+2 |
|
|
|
U |
= |
3 |
- |
7 |
UNKNOWN |
112 |
31 |
|
|
|
|
|
|
|
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|
G |
= |
7 |
- |
3 |
GOD |
26 |
17 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
12 |
- |
13 |
THE UNKNOWN GOD |
171 |
63 |
18 |
|
|
|
|
|
|
|
|
|
|
- |
- |
1+2 |
- |
1+3 |
|
1+7+1 |
6+3 |
1+8 |
|
|
|
|
|
|
|
|
|
|
- |
- |
3 |
- |
4 |
THE UNKNOWN GOD |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
THE UNKNOWN GOD |
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
P |
= |
7 |
- |
7 |
UNKNOWN |
112 |
31 |
|
|
|
|
|
|
|
|
|
|
|
M |
= |
4 |
- |
3 |
GOD |
26 |
17 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
13 |
- |
13 |
THE UNKNOWN GOD |
171 |
63 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
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2 |
1 |
1 |
|
20 |
2 |
2 |
|
1 |
|
|
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|
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|
9 |
|
= |
2 |
6 |
1 |
|
11 |
2 |
2 |
|
1 |
|
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9 |
|
= |
3 |
4 |
1 |
|
21 |
3 |
3 |
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1 |
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|
9 |
|
= |
4 |
13 |
1 |
|
4 |
4 |
4 |
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1 |
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9 |
|
= |
5 |
3 |
1 |
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5 |
5 |
5 |
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1 |
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9 |
|
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5 |
5 |
1 |
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14 |
5 |
5 |
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1 |
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9 |
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5 |
7 |
1 |
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14 |
5 |
5 |
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1 |
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9 |
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5 |
9 |
1 |
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23 |
5 |
5 |
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1 |
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9 |
|
= |
5 |
10 |
1 |
|
14 |
5 |
5 |
|
1 |
|
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|
9 |
|
= |
6 |
12 |
1 |
|
15 |
6 |
6 |
|
1 |
|
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|
9 |
|
= |
6 |
8 |
1 |
|
15 |
6 |
6 |
|
1 |
|
|
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|
|
9 |
|
= |
7 |
11 |
1 |
|
7 |
7 |
7 |
|
1 |
|
|
|
|
|
|
|
9 |
|
= |
8 |
2 |
1 |
|
8 |
8 |
8 |
|
1 |
|
|
|
|
|
|
|
9 |
|
|
|
|
|
|
- |
|
|
|
|
|
|
- |
|
|
|
|
|
- |
- |
- |
- |
- |
THE UNKNOWN GOD |
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
|
|
|
|
|
|
2+5 |
1+2 |
|
|
|
U |
= |
3 |
- |
7 |
UNKNOWN |
112 |
31 |
|
|
|
|
|
|
|
|
|
|
|
G |
= |
7 |
- |
3 |
GOD |
26 |
17 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
12 |
- |
13 |
THE UNKNOWN GOD |
171 |
63 |
18 |
|
|
|
|
|
|
|
|
|
|
- |
- |
1+2 |
- |
1+3 |
|
1+7+1 |
6+3 |
1+8 |
|
|
|
|
|
|
|
|
|
|
- |
- |
3 |
- |
4 |
THE UNKNOWN GOD |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
- |
- |
- |
- |
- |
THE UNKNOWN GOD |
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
|
|
|
|
|
|
|
|
|
P |
= |
7 |
- |
7 |
UNKNOWN |
112 |
31 |
|
|
|
|
|
|
|
|
|
M |
= |
4 |
- |
3 |
GOD |
26 |
17 |
|
|
|
|
|
|
|
|
|
- |
- |
13 |
- |
13 |
THE UNKNOWN GOD |
171 |
63 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
1 |
1 |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
= |
2 |
6 |
1 |
|
11 |
2 |
2 |
|
|
|
|
|
|
|
|
|
= |
3 |
4 |
1 |
|
21 |
3 |
3 |
|
|
|
|
|
|
|
|
|
= |
4 |
13 |
1 |
|
4 |
4 |
4 |
|
|
|
|
|
|
|
|
|
= |
5 |
3 |
1 |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
= |
5 |
5 |
1 |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
= |
5 |
7 |
1 |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
= |
5 |
9 |
1 |
|
23 |
5 |
5 |
|
|
|
|
|
|
|
|
|
= |
5 |
10 |
1 |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
= |
6 |
12 |
1 |
|
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
= |
6 |
8 |
1 |
|
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
= |
7 |
11 |
1 |
|
7 |
7 |
7 |
|
|
|
|
|
|
|
|
|
= |
8 |
2 |
1 |
|
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
- |
|
|
|
|
- |
- |
- |
- |
- |
THE UNKNOWN GOD |
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
|
|
|
|
|
2+5 |
1+2 |
|
|
U |
= |
3 |
- |
7 |
UNKNOWN |
112 |
31 |
|
|
|
|
|
|
|
|
|
G |
= |
7 |
- |
3 |
GOD |
26 |
17 |
|
|
|
|
|
|
|
|
|
- |
- |
12 |
- |
13 |
THE UNKNOWN GOD |
171 |
63 |
18 |
|
|
|
|
|
|
|
|
- |
- |
1+2 |
- |
1+3 |
|
1+7+1 |
6+3 |
1+8 |
|
|
|
|
|
|
|
|
- |
- |
3 |
- |
4 |
THE UNKNOWN GOD |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
THE
NUMBER OF GOD
- |
- |
- |
- |
- |
THE NUMBER OF GOD |
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
|
N |
= |
5 |
- |
6 |
NUMBER |
73 |
28 |
|
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
|
G |
= |
7 |
- |
3 |
GOD |
26 |
17 |
|
- |
- |
20 |
- |
14 |
THE NUMBER OF GOD |
153 |
72 |
18 |
- |
- |
2+0 |
- |
1+4 |
|
1+5+3 |
7+2 |
1+8 |
- |
- |
2 |
- |
5 |
THE NUMBER OF GOD |
9 |
9 |
9 |
- |
- |
- |
- |
- |
THE NUMBER OF GOD |
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
N |
= |
5 |
- |
6 |
NUMBER |
73 |
28 |
|
|
|
|
|
|
|
|
|
|
|
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
G |
= |
7 |
- |
3 |
GOD |
26 |
17 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
20 |
- |
14 |
THE NUMBER OF GOD |
153 |
72 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
1 |
1 |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
= |
8 |
2 |
1 |
|
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
3 |
1 |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
- |
|
|
|
|
|
|
= |
5 |
4 |
1 |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
5 |
1 |
|
21 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
= |
4 |
6 |
1 |
|
13 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
7 |
1 |
|
2 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
8 |
1 |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
9 |
1 |
|
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
- |
|
|
|
|
|
|
= |
6 |
10 |
1 |
|
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
11 |
1 |
|
6 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
- |
|
|
|
|
|
|
= |
7 |
11 |
1 |
|
7 |
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
12 |
1 |
|
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
= |
4 |
13 |
1 |
|
4 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
- |
|
|
|
|
|
- |
- |
- |
- |
- |
THE NUMBER OF GOD |
|
|
|
|
|
|
|
- |
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
N |
= |
5 |
- |
6 |
NUMBER |
73 |
28 |
|
|
|
|
|
|
1+5 |
1+8 |
|
|
|
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
G |
= |
7 |
- |
3 |
GOD |
26 |
17 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
20 |
- |
14 |
THE NUMBER OF GOD |
153 |
72 |
18 |
|
|
|
|
|
|
|
|
|
|
- |
- |
2+0 |
- |
1+4 |
|
1+5+3 |
7+2 |
1+8 |
|
|
|
|
|
|
|
|
|
|
- |
- |
2 |
- |
5 |
THE NUMBER OF GOD |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
THE NUMBER OF GOD |
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
N |
= |
5 |
- |
6 |
NUMBER |
73 |
28 |
|
|
|
|
|
|
|
|
|
|
|
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
G |
= |
7 |
- |
3 |
GOD |
26 |
17 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
20 |
- |
14 |
THE NUMBER OF GOD |
153 |
72 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
1 |
1 |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
= |
8 |
2 |
1 |
|
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
3 |
1 |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
4 |
1 |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
5 |
1 |
|
21 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
= |
4 |
6 |
1 |
|
13 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
7 |
1 |
|
2 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
8 |
1 |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
9 |
1 |
|
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
10 |
1 |
|
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
11 |
1 |
|
6 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
= |
7 |
11 |
1 |
|
7 |
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
12 |
1 |
|
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
= |
4 |
13 |
1 |
|
4 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
- |
|
|
|
|
|
- |
- |
- |
- |
- |
THE NUMBER OF GOD |
|
|
|
|
|
|
|
- |
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
N |
= |
5 |
- |
6 |
NUMBER |
73 |
28 |
|
|
|
|
|
|
1+5 |
1+8 |
|
|
|
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
G |
= |
7 |
- |
3 |
GOD |
26 |
17 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
20 |
- |
14 |
THE NUMBER OF GOD |
153 |
72 |
18 |
|
|
|
|
|
|
|
|
|
|
- |
- |
2+0 |
- |
1+4 |
|
1+5+3 |
7+2 |
1+8 |
|
|
|
|
|
|
|
|
|
|
- |
- |
2 |
- |
5 |
THE NUMBER OF GOD |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
- |
- |
THE NUMBER OF GOD |
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
N |
= |
5 |
- |
6 |
NUMBER |
73 |
28 |
|
|
|
|
|
|
|
|
|
|
|
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
G |
= |
7 |
- |
3 |
GOD |
26 |
17 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
20 |
- |
14 |
THE NUMBER OF GOD |
153 |
72 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
1 |
1 |
|
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
= |
2 |
7 |
1 |
|
2 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
= |
3 |
5 |
1 |
|
21 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
= |
4 |
6 |
1 |
|
13 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
= |
4 |
13 |
1 |
|
4 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
3 |
1 |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
4 |
1 |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
8 |
1 |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
10 |
1 |
|
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
11 |
1 |
|
6 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
= |
6 |
12 |
1 |
|
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
= |
7 |
11 |
1 |
|
7 |
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
= |
8 |
2 |
1 |
|
8 |
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
9 |
1 |
|
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
- |
|
|
|
|
|
- |
- |
- |
- |
- |
THE NUMBER OF GOD |
|
|
|
|
|
|
|
- |
|
|
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
N |
= |
5 |
- |
6 |
NUMBER |
73 |
28 |
|
|
|
|
|
|
1+5 |
1+8 |
|
|
|
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
G |
= |
7 |
- |
3 |
GOD |
26 |
17 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
20 |
- |
14 |
THE NUMBER OF GOD |
153 |
72 |
18 |
|
|
|
|
|
|
|
|
|
|
- |
- |
2+0 |
- |
1+4 |
|
1+5+3 |
7+2 |
1+8 |
|
|
|
|
|
|
|
|
|
|
- |
- |
2 |
- |
5 |
THE NUMBER OF GOD |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
OUT OF ZERO COMETH ONE
John 1:23 KJV - He said, I am the voice of one crying - Bible ...
He said, I am the voice of one crying in the wilderness, Make straight the way of the Lord, as said the prophet Esaias.
I
AM
THE VOICE AS OF ONE CRYING IN THE WILDERNESS
MAKE STRAIGHT THE WAY OF THE WORD
4 |
GODS |
45 |
18 |
9 |
5 |
HUMAN |
57 |
21 |
3 |
7 |
DESTINY |
96 |
33 |
6 |
9 |
|
108 |
36 |
9 |
25 |
Add to Reduce |
306 |
108 |
27 |
2+5 |
Reduce to Deduce |
2+6+1 |
9+0 |
2+7 |
7 |
Essence of Number |
9 |
9 |
9 |
3 |
SUN |
54 |
18 |
|
5 |
EARTH |
52 |
25 |
7 |
4 |
MOON |
57 |
21 |
3 |
12 |
First Total |
163 |
64 |
19 |
1+2 |
Add to Reduce |
1+6+3 |
6+4 |
1+9 |
3 |
Second Total |
10 |
10 |
10 |
- |
Reduce to Deduce |
1+0 |
1+0 |
1+0 |
3 |
Essence of Number |
1 |
1 |
1 |
SUN EARTH MOON
NINE SEVEN THREE
4 |
NINE |
42 |
24 |
|
5 |
SEVEN |
65 |
29 |
2 |
5 |
THREE |
56 |
29 |
2 |
14 |
First Total |
|
|
|
1+4 |
Add to Reduce |
1+6+3 |
8+2 |
1+0 |
5 |
Second Total |
|
|
|
- |
Reduce to Deduce |
1+0 |
1+0 |
1+0 |
5 |
Essence of Number |
|
|
|
Amenhotep - Wikipediaen.wikipedia.org › wiki › Amenhotep
Amenhotep was an ancient Egyptian name. Its Greek version is Amenophis. Its notable bearers were: Pharaohs of the 18th dynasty[edit]. Amenhotep ...Amenhotep III, also known as Amenhotep the Magnificent, was the ninth pharaoh of the Eighteenth Dynasty. According to different authors, he ruled Egypt from June 1386 to 1349 BC, or from June 1388 BC to December 1351 BC/1350 BC, after his father Thutmose IV died. Wikipedia
Born: 1411 BC, Ancient Egypt
Died: Malkata, Egypt
Buried: Tomb WV22,, Luxor, Egypt
Children: Akhenaten, The Younger Lady, Sitamun, Thutmose, Kiya, Iset, Beketaten, Nebetah, Henuttaneb
Spouse: Sitamun, Gilukhipa
Parents: Thutmose IV, Mutemwiya
|
THUTMOSIS |
|
|
|
2 |
|
28 |
10 |
1 |
3 |
|
54 |
9 |
9 |
1 |
|
15 |
6 |
6 |
1 |
|
19 |
1 |
1 |
1 |
|
9 |
9 |
9 |
1 |
|
19 |
1 |
1 |
9 |
THUTMOSIS |
|
|
|
|
|
1+4+4 |
3+6 |
2+7 |
9 |
THUTMOSIS |
|
|
|
|
|
- |
- |
- |
9 |
THUTMOSIS |
|
|
|
Thutmose III was the sixth pharaoh of the Eighteenth Dynasty. Officially, Thutmose III ruled ... Much is known about Thutmosis "the warrior" not only because of his military achievements, but also because of his royal scribe and army ...
Reign?: ?1479–1425 BC (?Eighteenth Dynasty?)
Monuments?: ?Cleopatra's Needle
Mother?: ?Iset
Burial?: ?KV34
?Hatshepsut · ?Amenhotep II · ?Amenemhat · ?Iset
Thutmose I - Wikipedia
en.wikipedia.org › wiki › Thutmose_I
Thutmose I (sometimes read as Thutmosis or Tuthmosis I, Thothmes in older history works in Latinized Greek; Ancient Egyptian: /??wty. ms/ Djehutymes, meaning "Thoth is born") was the third pharaoh of the 18th Dynasty of Egypt. He received the throne after the death of the previous king, Amenhotep I.
Thutmose II - Wikipedia
en.wikipedia.org › wiki › Thutmose_II
Thutmose II (sometimes read as · Thutmosis or · Tuthmosis II, · Thothmes in older history works in Latinized Greek; Ancient Egyptian: /??wty. ms/ Djehutymes, ...
Died?: ?1479 BC
Children?: ?Thutmose III?, ?Neferure
Reign?: ?disputed, 1493–1479 BC, 1513–1499 ...
Born?: ?C.1510 BC
The Pharaoh - Thutmosis III Temple Project
thutmosisiiitempleproject.org › index.php › the-pharaoh
Thutmosis III (1490/68-1436 B.C.) was one of the most important kings in the history of Egypt. He was the son of Thutmosis II and his second wife Isis. His father ...
9 |
THUTMOSIS |
- |
- |
- |
|
T+H+U+T |
69 |
15 |
|
|
M+O+S |
47 |
11 |
|
|
I |
9 |
9 |
|
|
S |
19 |
10 |
|
9 |
THUTMOSIS |
144 |
45 |
18 |
- |
- |
1+4+4 |
4+5 |
1+8 |
9 |
THUTMOSIS |
9 |
9 |
9 |
9 |
THUTMOSIS |
- |
- |
- |
|
T+H+U+T |
69 |
15 |
|
|
M+O+S+I+S |
75 |
21 |
|
9 |
THUTMOSIS |
144 |
36 |
9 |
- |
- |
1+4+4 |
3+6 |
- |
9 |
THUTMOSIS |
9 |
9 |
9 |
|
THUTMOSIS |
144 |
36 |
|
|
TUTANKHAMUN |
144 |
36 |
|
|
THUTMOSIS |
144 |
36 |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
H |
8 |
8 |
|
|
OSIS |
62 |
17 |
|
|
HOSIS |
70 |
25 |
|
|
|
70 |
25 |
16 |
1+0 |
|
7+0 |
2+5 |
1+6 |
1 |
- |
7 |
7 |
7 |
|
HOSIS |
70 |
25 |
|
|
OSIRIS |
89 |
35 |
|
|
HORUS |
81 |
27 |
|
5 |
|
- |
- |
- |
3 |
THE |
33 |
15 |
6 |
5 |
OTHER |
66 |
30 |
3 |
8 |
THE OTHER |
|
|
|
|
- |
9+9 |
4+5 |
- |
8 |
THE OTHER |
18 |
9 |
9 |
2 |
- |
|
- |
- |
8 |
THE OTHER |
|
|
|
5 |
THOTH |
71 |
26 |
8 |
3 |
THE |
33 |
15 |
6 |
5 |
OTHER |
66 |
30 |
3 |
3 |
MAN |
28 |
10 |
1 |
16 |
First Total |
|
|
|
1+6 |
Add to Reduce |
1+9+8 |
8+1 |
1+8 |
7 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+8 |
- |
- |
|
Essence of Number |
|
|
|
5 |
|
|
|
|
- |
T+H |
28 |
10 |
1 |
- |
O |
15 |
6 |
6 |
- |
T+H |
28 |
10 |
1 |
5 |
THOTH |
71 |
26 |
8 |
- |
- |
7+1 |
2+6 |
- |
5 |
THOTH |
8 |
8 |
8 |
- |
5 |
|
|
O |
|
H |
|
|
|
|
|
|
|
- |
- |
|
- |
- |
|
8 |
6 |
|
8 |
|
|
|
2+2 |
|
|
|
|
|
|
- |
- |
|
8 |
15 |
|
8 |
|
|
|
3+1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
2 |
|
|
2 |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
20 |
|
|
20 |
|
|
|
|
4+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
20 |
8 |
15 |
20 |
8 |
|
|
|
7+1 |
|
|
|
|
|
|
- |
- |
2 |
8 |
6 |
2 |
8 |
|
|
|
2+6 |
|
|
|
|
|
|
|
5 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
- |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
2 |
- |
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
- |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
|
|
|
|
occurs |
x |
|
= |
6 |
= |
|
|
|
|
|
- |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
|
|
|
occurs |
x |
|
= |
16 |
1+6 |
|
|
|
|
|
- |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+2 |
|
2 |
8 |
6 |
2 |
8 |
|
|
2+3 |
|
|
|
|
2+6 |
|
1+7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
|
O |
|
H |
|
|
|
|
|
|
|
- |
- |
|
- |
|
8 |
6 |
|
8 |
|
|
|
2+2 |
|
|
|
|
|
|
- |
|
8 |
15 |
|
8 |
|
|
|
3+1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
2 |
|
|
2 |
|
|
|
|
|
|
|
|
|
|
|
- |
20 |
|
|
20 |
|
|
|
|
4+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
20 |
8 |
15 |
20 |
8 |
|
|
|
7+1 |
|
|
|
|
|
|
- |
2 |
8 |
6 |
2 |
8 |
|
|
|
2+6 |
|
|
|
|
|
|
5 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
- |
2 |
- |
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
6 |
|
|
|
|
|
occurs |
x |
|
= |
6 |
= |
|
|
|
|
|
|
8 |
|
|
|
occurs |
x |
|
= |
16 |
1+6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
8 |
6 |
2 |
8 |
|
|
2+3 |
|
|
|
|
2+6 |
|
1+7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
THE |
33 |
15 |
6 |
5 |
OTHER |
66 |
30 |
3 |
8 |
First Total |
|
|
|
- |
Add to Reduce |
9+9 |
4+5 |
- |
8 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+8 |
- |
- |
|
Essence of Number |
|
|
|
T |
= |
2 |
3 |
THE |
33 |
15 |
6 |
O |
= |
6 |
5 |
OTHER |
66 |
30 |
3 |
T |
= |
2 |
4 |
THAT |
49 |
13 |
4 |
I |
= |
9 |
1 |
I |
9 |
9 |
9 |
A |
= |
1 |
2 |
AM |
14 |
5 |
5 |
4 |
|
|
|
|
- |
T |
20 |
2 |
2 |
- |
H |
8 |
8 |
8 |
- |
O |
15 |
6 |
6 |
- |
T |
20 |
2 |
2 |
4 |
THOT |
63 |
18 |
18 |
- |
- |
6+3 |
1+8 |
1+8 |
4 |
THOT |
9 |
9 |
9 |
5 |
|
|
|
|
- |
T+H |
28 |
10 |
1 |
- |
O |
15 |
6 |
6 |
- |
T+H |
28 |
10 |
1 |
5 |
THOTH |
71 |
26 |
8 |
- |
- |
7+1 |
2+6 |
- |
5 |
THOTH |
8 |
8 |
8 |
Thothmes III - Hutchinson ecyclopedia article about Thothmes III
Hutchinson ecyclopedia article about Thothmes III. Thothmes III. Information about Thothmes III in the Hutchinson ecyclopedia .
ecyclopedia .farlex.com/Thothmes+III
Thutmose III (or Thothmes III)
King (pharaoh) of ancient Egypt, reigned c. 1479–c. 1426 BC. He extended the empire to the River Euphrates, and conquered Nubia. He was a grandson of Thutmose I.
Thothmes III. Who is Thothmes III? What is Thothmes III? Where is ...
Definition of Thothmes III in an online ecyclopedia or dictionary.
knowledgerush.com/kr/ecyclopedia/Thothmes_III/ - Cached - Similar
Message boards Post comment
Thothmes III
Red granite statue of Pharaoh Thutmose III. Egyptian Museum, Cairo, Egypt.Thutmose III (also written as Tuthmosis III) was a Pharaoh of Egypt in the 18th Dynasty.
He was the son of Pharaoh Thutmose II and Isis, a minor wife. When Thutmose II died in 1504 BC, Thutmose III became ruler. However, he shared the beginning of his reign with Hatshepsut, his father's wife, who acted as regent and eventually co-ruler. For approximately 22 years Thutmose III had little power over the empire. He married Hatshepsut's youngest daughter, Meritre, with whom he had a son named Ahmose II. At some point, however, Hatshepsut disappears from the historical record and Thutmose III ruled by himself until his death in 1427 BC (some sources list his death ranging from 1425 BC to 1430 BC).
He was an active expansionist ruler, sometimes referred to as the "Napoleon of Egypt", because he was recorded to have conquered 350 cities during his rule, conquering much of the Near East.
His tomb in the Valley of the Kings is the first in which we find the complete Amduat, an important New Kingdom Ancient Egyptian funerary text.
Egyptian Myth and Legend: Plate IV: Queen Ahmes (Wife Of Thothmes ...
QUEEN AHMES (WIFE OF THOTHMES I), MOTHER OF THE FAMOUS QUEEN HATSHEPSUT. From a plaster cast of the relief on the wall of the Temple at Der-al Bahari (By ...
www.sacred-texts.com/egy/eml/eml21.h
8 |
|
|
|
|
- |
T+H |
28 |
10 |
1 |
- |
O |
15 |
6 |
6 |
- |
T+H |
28 |
10 |
1 |
- |
M+E |
18 |
9 |
9 |
- |
S |
19 |
1 |
1 |
8 |
THOTHMES |
108 |
36 |
8 |
- |
- |
1+0+8 |
3+6 |
- |
8 |
THOTHMES |
8 |
8 |
8 |
- |
8 |
|
|
O |
|
H |
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
|
8 |
6 |
|
8 |
|
|
1 |
|
|
|
2+3 |
|
|
|
|
|
|
- |
- |
|
8 |
15 |
|
8 |
|
|
19 |
|
|
|
5+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
2 |
|
|
2 |
|
4 |
5 |
|
|
|
|
1+3 |
|
|
|
|
|
|
- |
- |
20 |
|
|
20 |
|
13 |
5 |
|
|
|
|
5+8 |
|
|
1+3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
20 |
8 |
15 |
20 |
8 |
13 |
5 |
19 |
|
|
|
1+0+8 |
|
|
|
|
|
|
- |
- |
2 |
8 |
6 |
2 |
8 |
4 |
5 |
1 |
|
|
|
3+6 |
|
|
|
|
|
|
|
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
- |
|
- |
|
|
1 |
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
- |
2 |
- |
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
- |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
4 |
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
- |
|
- |
|
5 |
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
6 |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
6 |
= |
|
|
|
|
|
- |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
|
|
|
|
|
|
occurs |
x |
|
= |
16 |
1+6 |
|
|
|
|
|
- |
|
- |
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+9 |
|
|
|
- |
|
- |
|
|
|
|
|
2+6 |
|
|
|
|
3+6 |
|
2+7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
- |
2 |
8 |
6 |
2 |
8 |
4 |
5 |
1 |
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
|
|
O |
|
H |
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
8 |
6 |
|
8 |
|
|
1 |
|
|
|
2+3 |
|
|
|
|
|
|
- |
|
8 |
15 |
|
8 |
|
|
19 |
|
|
|
5+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
2 |
|
|
2 |
|
4 |
5 |
|
|
|
|
1+3 |
|
|
|
|
|
|
- |
20 |
|
|
20 |
|
13 |
5 |
|
|
|
|
5+8 |
|
|
1+3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
20 |
8 |
15 |
20 |
8 |
13 |
5 |
19 |
|
|
|
1+0+8 |
|
|
|
|
|
|
- |
2 |
8 |
6 |
2 |
8 |
4 |
5 |
1 |
|
|
|
3+6 |
|
|
|
|
|
|
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
- |
|
- |
|
|
1 |
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
- |
2 |
- |
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
|
- |
4 |
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
- |
|
- |
|
5 |
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
6 |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
6 |
= |
|
|
|
|
|
|
8 |
|
|
|
|
|
|
occurs |
x |
|
= |
16 |
1+6 |
|
|
|
|
- |
|
- |
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
|
|
|
|
2+6 |
|
|
|
|
3+6 |
|
2+7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
2 |
8 |
6 |
2 |
8 |
4 |
5 |
1 |
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
THUTMOSIS |
|
|
|
2 |
|
28 |
10 |
1 |
3 |
|
54 |
9 |
9 |
1 |
|
15 |
6 |
6 |
1 |
|
19 |
1 |
1 |
1 |
|
9 |
9 |
9 |
1 |
|
19 |
1 |
1 |
9 |
THUTMOSIS |
|
|
|
|
|
1+4+4 |
3+6 |
2+7 |
9 |
THUTMOSIS |
|
|
|
|
|
- |
- |
- |
9 |
THUTMOSIS |
|
|
|
9 |
TUTHMOSIS |
|
|
|
9 |
THUTMOSIS |
|
|
|
9 |
THUTMOSE |
|
|
|
Egypt: Tuthmosis III
He is also known as Thutmose III, Thutmosis, and his Throne name was Men-kheper-re (Lasting is the Manifestation of Re). ...
www.touregypt.net/featurestories/tuthmosis3.htm - Cached - Similar
Egypt: Tuthmosis II (Thutmose II, or Thutmosis II), Pharaoh ...
Egypt: Tuthmosis II, Pharaoh, Hatshepsut's Husband.
www.touregypt.net/featurestories/tuthmosis2.htm - Cached - Similar
King Tuthmosis III
In 1500 B.C. Thutmosis III documents a rebellion of Canaanite Kings who attempt ... According to the report of Thutmosis III, the Canaanites are forced to ...wysinger.homestead.com/tuthmosisIII.html - Cached - Similar
Tomb of Thutmosis 4 -KV43
Eighth king of the 18th Dynasty, Thutmosis IV had a short reign, of about 9 years (approx. 1419-1410 B.C.). He inherited a country of which his two ...
www.osirisnet.net/tombes/pharaons/.../e_thoutmosis4.htm - Cached - Similar
|
THUTMOSIS |
|
|
|
2 |
|
28 |
10 |
1 |
3 |
|
54 |
9 |
9 |
1 |
|
15 |
6 |
6 |
1 |
|
19 |
1 |
1 |
1 |
|
9 |
9 |
9 |
1 |
|
19 |
1 |
1 |
9 |
THUTMOSIS |
|
|
|
|
|
1+4+4 |
3+6 |
2+7 |
9 |
THUTMOSIS |
|
|
|
|
|
- |
- |
- |
9 |
THUTMOSIS |
|
|
|
|
|
|
|
|
|
|
|
S |
I |
S |
|
|
|
|
|
|
|
- |
|
|
- |
- |
|
8 |
|
|
|
6 |
1 |
9 |
1 |
|
|
|
2+9 |
|
|
1+1 |
|
|
|
- |
- |
|
8 |
|
|
|
15 |
19 |
9 |
19 |
|
|
|
6+5 |
|
|
1+1 |
|
|
|
|
|
|
|
|
|
|
|
S |
I |
S |
|
|
|
|
|
|
|
- |
|
|
- |
- |
|
|
3 |
|
4 |
|
- |
- |
- |
|
|
|
6+1 |
|
|
|
|
|
|
- |
- |
|
|
21 |
|
13 |
|
- |
- |
- |
|
|
|
1+5+1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
S |
I |
S |
|
|
|
|
|
|
|
- |
|
|
- |
- |
20 |
8 |
21 |
20 |
13 |
15 |
19 |
9 |
19 |
|
|
|
2+1+6 |
|
|
|
|
|
|
- |
- |
2 |
8 |
3 |
2 |
4 |
6 |
1 |
9 |
1 |
|
|
|
7+2 |
|
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15 |
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- |
- |
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- |
- |
- |
- |
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1 |
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1 |
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occurs |
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- |
- |
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occurs |
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- |
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- |
- |
- |
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occurs |
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= |
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- |
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- |
- |
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occurs |
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8 |
= |
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occurs |
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12 |
1+2 |
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- |
- |
- |
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- |
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occurs |
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8 |
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9 |
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occurs |
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S |
I |
S |
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1+2 |
1+9 |
- |
- |
- |
- |
- |
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9 |
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4+5 |
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1+9 |
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9+0 |
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4+5 |
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1+0 |
2 |
8 |
3 |
2 |
4 |
6 |
1 |
9 |
1 |
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1+0 |
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- |
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- |
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8 |
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6 |
1 |
9 |
1 |
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2+9 |
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1+1 |
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- |
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8 |
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15 |
19 |
9 |
19 |
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6+5 |
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1+1 |
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I |
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3 |
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4 |
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- |
- |
- |
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6+1 |
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- |
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21 |
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13 |
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- |
- |
- |
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1+5+1 |
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S |
I |
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- |
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- |
20 |
8 |
21 |
20 |
13 |
15 |
19 |
9 |
19 |
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2+1+6 |
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- |
2 |
8 |
3 |
2 |
4 |
6 |
1 |
9 |
1 |
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7+2 |
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15 |
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I |
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- |
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- |
- |
- |
- |
- |
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1 |
- |
1 |
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occurs |
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= |
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- |
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- |
- |
- |
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occurs |
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= |
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- |
- |
- |
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occurs |
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occurs |
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8 |
= |
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- |
- |
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occurs |
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12 |
1+2 |
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- |
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occurs |
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8 |
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- |
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9 |
- |
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occurs |
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S |
I |
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1+9 |
- |
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- |
- |
- |
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9 |
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4+5 |
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1+9 |
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9+0 |
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4+5 |
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I |
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1+0 |
2 |
8 |
3 |
2 |
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1 |
9 |
1 |
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1+0 |
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Amenhotep - Wikipediaen.wikipedia.org › wiki › Amenhotep
AMENHOTEP
AMEN THE NAME
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9 |
AMENHOTEP |
- |
- |
- |
A |
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A |
1 |
1 |
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M |
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M |
13 |
4 |
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E |
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E |
5 |
5 |
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N |
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N |
14 |
5 |
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H |
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H |
8 |
8 |
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O |
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O |
15 |
6 |
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T |
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T |
20 |
2 |
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E |
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E |
5 |
5 |
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P |
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P |
16 |
7 |
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9 |
AMENHOTEP |
97 |
43 |
43 |
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- |
- |
9+7 |
4+3 |
4+3 |
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9 |
AMENHOTEP |
16 |
7 |
7 |
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- |
- |
1+6 |
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- |
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9 |
AMENHOTEP |
7 |
7 |
7 |
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9 |
AMENHOTEP |
- |
- |
- |
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A |
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1 |
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A |
1 |
1 |
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M |
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2 |
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M |
13 |
4 |
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E |
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3 |
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E |
5 |
5 |
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N |
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4 |
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N |
14 |
5 |
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H |
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5 |
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H |
8 |
8 |
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O |
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6 |
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O |
15 |
6 |
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T |
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7 |
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T |
20 |
2 |
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E |
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8 |
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E |
5 |
5 |
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P |
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9 |
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P |
16 |
7 |
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9 |
AMENHOTEP |
97 |
43 |
43 |
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- |
- |
9+7 |
4+3 |
4+3 |
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1+5 |
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9 |
AMENHOTEP |
16 |
7 |
7 |
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- |
- |
1+6 |
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- |
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9 |
AMENHOTEP |
7 |
7 |
7 |
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9 |
AMENHOTEP |
- |
- |
- |
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A |
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1 |
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A |
1 |
1 |
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T |
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7 |
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T |
20 |
2 |
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M |
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2 |
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M |
13 |
4 |
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E |
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3 |
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E |
5 |
5 |
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N |
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4 |
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N |
14 |
5 |
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E |
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8 |
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E |
5 |
5 |
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O |
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6 |
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O |
15 |
6 |
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P |
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9 |
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P |
16 |
7 |
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H |
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5 |
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H |
8 |
8 |
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9 |
AMENHOTEP |
97 |
43 |
43 |
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- |
- |
9+7 |
4+3 |
4+3 |
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1+5 |
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9 |
AMENHOTEP |
16 |
7 |
7 |
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- |
- |
1+6 |
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- |
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9 |
AMENHOTEP |
7 |
7 |
7 |
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|
LETTERS TRANSCRIBED INTO NUMBER REARRANGED NUMERICALLY
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9 |
AMENHOTEP |
- |
- |
- |
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A |
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|
1 |
|
A |
1 |
1 |
|
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T |
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|
7 |
|
T |
20 |
2 |
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M |
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2 |
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M |
13 |
4 |
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E |
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|
3 |
|
E |
5 |
5 |
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N |
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|
4 |
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N |
14 |
5 |
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E |
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|
8 |
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E |
5 |
5 |
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O |
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6 |
|
O |
15 |
6 |
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P |
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9 |
|
P |
16 |
7 |
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H |
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5 |
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H |
8 |
8 |
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9 |
AMENHOTEP |
97 |
43 |
43 |
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- |
- |
9+7 |
4+3 |
4+3 |
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1+5 |
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9 |
AMENHOTEP |
16 |
7 |
7 |
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- |
- |
1+6 |
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- |
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9 |
AMENHOTEP |
7 |
7 |
7 |
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Amenhotep was an ancient Egyptian name. Its Greek version is Amenophis.
9 |
AMENOPHIS |
- |
- |
- |
|
A+M |
14 |
5 |
|
|
H+I+S |
36 |
27 |
|
|
O+P+E+N |
50 |
23 |
|
9 |
AMENOPHIS |
100 |
55 |
19 |
- |
- |
1+0+0 |
5+5 |
1+9 |
9 |
AMENOPHIS |
1 |
10 |
10 |
- |
- |
- |
1+0 |
1+0 |
9 |
AMENOPHIS |
1 |
1 |
1 |
9 |
AMENOPHIS |
- |
- |
- |
|
A+M+E+N |
33 |
15 |
|
|
O+P |
31 |
13 |
|
|
H+I+S |
36 |
27 |
|
9 |
AMENOPHIS |
100 |
55 |
46 |
- |
- |
1+0+0 |
5+5 |
4+6 |
9 |
AMENOPHIS |
1 |
10 |
10 |
- |
- |
- |
1+0 |
1+0 |
9 |
AMENOPHIS |
1 |
1 |
1 |
|
|
|
|
9 |
AMENOPHIS |
- |
- |
- |
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|
A+M |
14 |
5 |
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E |
5 |
5 |
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N |
14 |
5 |
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O |
15 |
6 |
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P |
16 |
7 |
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H |
8 |
8 |
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I |
9 |
9 |
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|
S |
19 |
10 |
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9 |
AMENOPHIS |
100 |
55 |
46 |
|
|
|
|
- |
- |
1+0+0 |
5+5 |
4+6 |
|
|
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|
9 |
AMENOPHIS |
1 |
10 |
10 |
|
|
|
|
- |
- |
- |
1+0 |
1+0 |
|
|
|
|
9 |
AMENOPHIS |
1 |
1 |
1 |
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9 |
AMENOPHIS |
- |
- |
- |
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|
A |
1 |
1 |
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|
M |
13 |
4 |
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E |
5 |
5 |
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N |
14 |
5 |
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O |
15 |
6 |
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P |
16 |
7 |
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H |
8 |
8 |
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I |
9 |
9 |
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S |
19 |
10 |
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9 |
AMENOPHIS |
100 |
55 |
46 |
|
|
|
|
- |
- |
1+0+0 |
5+5 |
4+6 |
|
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|
9 |
AMENOPHIS |
1 |
10 |
10 |
|
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|
|
- |
- |
- |
1+0 |
1+0 |
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9 |
AMENOPHIS |
1 |
1 |
1 |
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9 |
AMENOPHIS |
- |
- |
- |
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|
A |
= |
|
1 |
|
A |
1 |
1 |
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M |
= |
|
2 |
|
M |
13 |
4 |
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E |
= |
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3 |
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E |
5 |
5 |
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N |
= |
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4 |
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N |
14 |
5 |
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O |
= |
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5 |
|
O |
15 |
6 |
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P |
= |
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6 |
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P |
16 |
7 |
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H |
= |
|
7 |
|
H |
8 |
8 |
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I |
= |
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8 |
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I |
9 |
9 |
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S |
= |
|
9 |
|
S |
19 |
10 |
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- |
- |
46 |
|
9 |
AMENOPHIS |
100 |
55 |
46 |
|
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|
|
4+6 |
|
- |
- |
1+0+0 |
5+5 |
4+6 |
|
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|
1+0 |
|
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|
10 |
|
9 |
AMENOPHIS |
1 |
10 |
10 |
|
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|
|
|
|
|
|
|
|
1+0 |
|
- |
- |
- |
1+0 |
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
9 |
AMENOPHIS |
1 |
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
AMENOPHIS |
- |
- |
- |
|
|
|
|
|
|
|
|
A |
= |
|
1 |
|
A |
1 |
1 |
|
|
|
|
|
|
|
|
|
M |
= |
|
2 |
|
M |
13 |
4 |
|
|
|
|
|
|
|
|
|
E |
= |
|
3 |
|
E |
5 |
5 |
|
|
|
|
|
|
|
|
|
N |
= |
|
4 |
|
N |
14 |
5 |
|
|
|
|
|
|
|
|
|
O |
= |
|
5 |
|
O |
15 |
6 |
|
|
|
|
|
|
|
|
|
P |
= |
|
6 |
|
P |
16 |
7 |
|
|
|
|
|
|
|
|
|
H |
= |
|
7 |
|
H |
8 |
8 |
|
|
|
|
|
|
|
|
|
I |
= |
|
8 |
|
I |
9 |
9 |
|
|
|
|
|
|
|
|
|
S |
= |
|
9 |
|
S |
19 |
10 |
|
|
|
|
|
|
|
|
|
- |
- |
46 |
|
9 |
AMENOPHIS |
100 |
55 |
46 |
|
|
|
|
|
|
|
|
|
|
4+6 |
|
- |
- |
1+0+0 |
5+5 |
4+6 |
|
|
|
1+0 |
|
|
|
|
|
|
10 |
|
9 |
AMENOPHIS |
1 |
10 |
10 |
|
|
|
|
|
|
|
|
|
|
1+0 |
|
- |
- |
- |
1+0 |
1+0 |
|
|
|
|
|
|
|
|
|
|
1 |
|
9 |
AMENOPHIS |
1 |
1 |
1 |
|
|
|
|
|
|
|
|
AMEN ALL MEN ALL MEN AMEN
AMEN ALL WOMEN ALL WOMEN AMEN
4 |
AMEN |
33 |
15 |
6 |
3 |
THE |
33 |
15 |
6 |
4 |
NAME |
33 |
15 |
6 |
11 |
First Total |
|
|
|
1+1 |
Add to Reduce |
9+9 |
4+5 |
1+8 |
2 |
Second Total |
|
|
|
- |
Reduce to Deduce |
1+8 |
- |
- |
2 |
Essence of Number |
|
|
|
4 |
AMEN |
33 |
15 |
6 |
4 |
NAME |
33 |
15 |
6 |
8 |
Add to Reduce |
|
|
|
- |
Reduce to Deduce |
6+6 |
3+0 |
1+2 |
8 |
Essence of Number |
|
|
|
6 |
AMENTA |
- |
- |
- |
|
A |
1 |
1 |
|
|
M+E |
18 |
9 |
|
|
N+T+A |
35 |
8 |
|
6 |
AMENTA |
54 |
18 |
18 |
- |
- |
5+4 |
1+8 |
1+8 |
6 |
AMENTA |
9 |
9 |
9 |
AMEN NAME NAME AMEN AMEN NAME NAME AMEN AMEN NAME NAME AMEN
- |
EGYPT |
- |
- |
- |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
|
- |
5 |
1 |
G |
7 |
7 |
7 |
- |
7 |
- |
1 |
Y |
25 |
7 |
7 |
- |
7 |
- |
1 |
P |
16 |
7 |
7 |
- |
7 |
- |
1 |
T |
20 |
2 |
2 |
|
- |
2 |
5 |
EGYPT |
73 |
28 |
28 |
- |
21 |
7 |
|
- |
7+3 |
2+8 |
2+8 |
- |
2+1 |
- |
5 |
EGYPT |
10 |
10 |
10 |
|
3 |
7 |
|
- |
1+0 |
1+0 |
1+0 |
- |
- |
- |
5 |
EGYPT |
1 |
7 |
7 |
|
3 |
7 |
AND
FOR YOU I THANK THE ANKH THE ANKH FOR YOU I THANK
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
3 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
3 |
|
39 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
3 |
|
61 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
5 |
|
54 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
4 |
|
34 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
3 |
|
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
4 |
|
34 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
3 |
|
39 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
3 |
|
61 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
5 |
|
54 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
41 |
First Total |
459 |
189 |
81 |
|
|
|
|
|
|
|
21 |
|
36 |
|
|
8+1 |
|
4+1 |
Add to Reduce |
4+5+9 |
1+8+9 |
8+1 |
|
|
|
|
|
|
|
2+1 |
|
3+6 |
|
|
|
|
5 |
Second Total |
18 |
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
Reduce to Deduce |
1+8 |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
3 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
3 |
|
39 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
3 |
|
61 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
5 |
|
54 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
4 |
|
34 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
3 |
|
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
4 |
|
34 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
3 |
|
39 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
3 |
|
61 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
5 |
|
54 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
41 |
First Total |
459 |
189 |
81 |
|
|
|
|
|
|
|
21 |
|
36 |
|
|
8+1 |
|
4+1 |
Add to Reduce |
4+5+9 |
1+8+9 |
8+1 |
|
|
|
|
|
|
|
2+1 |
|
3+6 |
|
|
|
|
5 |
Second Total |
18 |
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
Reduce to Deduce |
1+8 |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
3 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
3 |
|
39 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
3 |
|
39 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
3 |
|
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
3 |
|
61 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
4 |
|
34 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
3 |
|
61 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
4 |
|
34 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
5 |
|
54 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
5 |
|
54 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
41 |
First Total |
459 |
189 |
81 |
|
|
|
|
|
|
|
21 |
|
36 |
|
|
8+1 |
|
4+1 |
Add to Reduce |
4+5+9 |
1+8+9 |
8+1 |
|
|
|
|
|
|
|
2+1 |
|
3+6 |
|
|
|
|
5 |
Second Total |
18 |
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
Reduce to Deduce |
1+8 |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
9 |
|
|
|
|
|
|
|
|
|
|
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
3 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
1 |
3 |
|
39 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
1 |
3 |
|
39 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
7 |
3 |
|
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
5 |
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
2 |
3 |
|
61 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
7 |
4 |
|
34 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
2 |
3 |
|
61 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
6 |
4 |
|
34 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
4 |
5 |
|
54 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
11 |
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
12 |
5 |
|
54 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
41 |
First Total |
459 |
189 |
81 |
|
|
|
|
|
21 |
|
36 |
|
|
8+1 |
|
4+1 |
Add to Reduce |
4+5+9 |
1+8+9 |
8+1 |
|
|
|
|
|
2+1 |
|
3+6 |
|
|
|
|
5 |
Second Total |
18 |
18 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
Reduce to Deduce |
1+8 |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
9 |
|
|
|
|
|
|
|
|
Ankh - Wikipedia
https://en.wikipedia.org/wiki/Ankh
The ankh (/'æ?k/ or Egyptian), also known as crux ansata (the Latin for "cross with a handle") is an ancient Egyptian hieroglyphic ideograph with the meaning "life". The Egyptian gods are often portrayed carrying it by its loop, or bearing one in each hand, arms crossed over their chest.
SYMBOL OF GOD SYMBOL OF LIFE SYMBOL OF LOVE.
Magnificat - Wikipedia
en.wikipedia.org › wiki › Magnificat
The Magnificat (Latin for "[My soul] magnifies [the Lord]") is a canticle, also known as the Song of Mary, the Canticle of Mary and, in the Byzantine tradition, the Ode of the Theotokos (Greek:).
The Magnificat: Mary's Hymn of Praise for Our Lord
The Magnificat, taken from Luke's Gospel (1:46-55), is the Blessed Virgin Mary's hymn of praise to the Lord.
It is also known as the Canticle of Mary in the Liturgy ...
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
THE |
33 |
15 |
|
|
|
|
|
10 |
MAGNIFICAT |
83 |
47 |
|
|
|
|
|
|
|
116 |
62 |
8 |
|
|
|
|
1+3 |
|
1+1+6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
THE |
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
MAGNIFICAT |
83 |
47 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
116 |
62 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
1 |
1 |
T |
20 |
2 |
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
1 |
|
8 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
1 |
|
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
|
3 |
|
33 |
15 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
1 |
|
13 |
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
1 |
|
1 |
1 |
|
|
1 |
|
|
|
|
|
|
|
|
|
|
|
6 |
1 |
|
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
1 |
|
14 |
5 |
|
|
|
|
|
|
|
|
|
|
|
I |
= |
9 |
8 |
1 |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
9 |
|
|
|
9 |
1 |
|
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
I |
= |
9 |
10 |
1 |
I |
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
9 |
|
|
|
11 |
1 |
|
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
12 |
1 |
|
1 |
1 |
|
|
1 |
|
|
|
|
|
|
|
|
T |
= |
2 |
13 |
1 |
T |
20 |
2 |
2 |
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32 |
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3 |
|
83 |
47 |
47 |
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1+0 |
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1+8 |
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3 |
THE |
33 |
15 |
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|
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|
10 |
MAGNIFICAT |
83 |
47 |
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116 |
62 |
8 |
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1+1+6 |
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3 |
THE |
33 |
15 |
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10 |
MAGNIFICAT |
83 |
47 |
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116 |
62 |
8 |
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1 |
T |
20 |
2 |
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2 |
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8 |
8 |
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3 |
1 |
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5 |
5 |
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4 |
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4 |
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1 |
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7 |
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9 |
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3 |
THE |
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15 |
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10 |
MAGNIFICAT |
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3 |
THE |
33 |
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10 |
MAGNIFICAT |
83 |
47 |
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62 |
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1 |
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2 |
2 |
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20 |
2 |
2 |
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1 |
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3 |
3 |
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4 |
1 |
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4 |
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1 |
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5 |
5 |
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7 |
1 |
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14 |
5 |
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9 |
1 |
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6 |
6 |
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6 |
1 |
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7 |
7 |
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2 |
1 |
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8 |
8 |
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I |
= |
9 |
8 |
1 |
I |
9 |
9 |
9 |
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9 |
I |
= |
9 |
10 |
1 |
I |
9 |
9 |
9 |
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|
|
9 |
|
|
32 |
|
3 |
|
83 |
47 |
47 |
|
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|
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|
1+0 |
|
|
|
1+8 |
|
|
|
|
3 |
THE |
33 |
15 |
|
|
|
|
|
|
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|
|
|
|
|
|
|
10 |
MAGNIFICAT |
83 |
47 |
|
|
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|
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|
|
|
|
|
|
116 |
62 |
8 |
|
|
|
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|
|
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|
|
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|
1+3 |
|
1+1+6 |
|
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LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
THE MAGIC MOUNTAIN
Thomas Mann 1875-1955
Page 496
" There is both rhyme and reason in what I say, I have made a dream poem of humanity.
I will cling to it .I will be good.
I will let death have no mastery over my thoughts.
For therein lies goodness and love of humankind, and in nothing else."
Page 496 / 497
"Love stands opposed to death. It is love, not reason, that is stronger than death . Only love, not reason, gives sweet thoughts. And from love and sweetness alone can form come: form and civilisation, friendly and enlightened , beautiful human intercourse-always in silent recognition of the blood-sacrifice. Ah, yes, it is it is well and truly dreamed. I have taken stock I will keep faith with death in my heart, yet well remember that faith with death and the dead is evil, is hostile to mankind, so soon as we give it power over thought and action.
For the sake of goodness and love, man shall let death have no sovereignty over his thoughts. - And with this - I awake. For I have dreamed it out to the end, I have come to my goal."